From Howard's End to Brideshead Revisited, this book explores the leitmotif of the English country house in twentieth- and twenty-first-century fiction, with a focus on the works of E. M. Forster, Evelyn Waugh, Iris Murdoch, Alan Hollinghurst, and Sarah Waters. Integrating wider social and cultural contexts with contemporary architectural developments, Tereza Topolovská reveals that the variety of literary depictions of the country house reflects the physical diversification of buildings that can be classified as such, from smaller variants to formerly grand residences on the brink of physical collapse. Within the scope of contemporary fiction, architecture, and poetics of space, the country house--with its uniquely integrating and exceptionally evocative qualities--accentuates different conceptions of dwelling. Consequently, literary portrayals of the country house can be seen as both prefiguring and reflecting the contemporary practice of living.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tereza Topolovská is assistant professor at the Department of English Language and Literature at Charles University's Faculty of Education.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : A Squared Books (Don Dewhirst), South Lyon, MI, Etats-Unis
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Paperback. Etat : New. From Howard's End to Brideshead Revisited, this book explores the leitmotif of the English country house in twentieth- and twenty-first-century fiction, with a focus on the works of E. M. Forster, Evelyn Waugh, Iris Murdoch, Alan Hollinghurst, and Sarah Waters. Integrating wider social and cultural contexts with contemporary architectural developments, Tereza Topolovská reveals that the variety of literary depictions of the country house reflects the physical diversification of buildings that can be classified as such, from smaller variants to formerly grand residences on the brink of physical collapse. Within the scope of contemporary fiction, architecture, and poetics of space, the country house-with its uniquely integrating and exceptionally evocative qualities-accentuates different conceptions of dwelling. Consequently, literary portrayals of the country house can be seen as both prefiguring and reflecting the contemporary practice of living. N° de réf. du vendeur LU-9788024636726
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Paperback. Etat : new. Paperback. From Howards End to Brideshead Revisited, this book explores the leitmotif of the English country house in twentieth- and twenty-first-century fiction, with a focus on the works of E. M. Forster, Evelyn Waugh, Iris Murdoch, Alan Hollinghurst, and Sarah Waters. Integrating wider social and cultural contexts with contemporary architectural developments, Tereza Topolovska reveals that the variety of literary depictions of the country house reflects the physical diversification of buildings that can be classified as such, from smaller variants to formerly grand residences on the brink of physical collapse. Within the scope of contemporary fiction, architecture, and poetics of space, the country housewith its uniquely integrating and exceptionally evocative qualitiesaccentuates different conceptions of dwelling. Consequently, literary portrayals of the country house can be seen as both prefiguring and reflecting the contemporary practice of living. Variations on a Theme from Forster to Hollinghurst. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788024636726
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