In the summer of 1935, Vitezslav Nezval, already one of the most celebrated Czech poets of his generation, embarked on a period of manic creativity that would result in three volumes of poetry written and published in a two-year span (1935-37), mirrored by three volumes of memoir-like poetic prose. These collections would not only reshape Czech poetry, blending approaches developed by the French Surrealists with national cultural sensibilities and political concerns, taken together they are among the highest achievements of the interwar avant-garde. Each of the three volumes adopted a different principle of Surrealism as its general modus operandi. For Woman in the Plural (1936), the first volume in this loose trilogy, it was objective chance (while the third and final volume, The Absolute Gravedigger (1937), adopted the paranoiac-critical method).
Appearing in English translation for the first time, Woman in the Plural displays Nezval's prodigious talents in a variety of forms, styles, and genres as he spins images of the female form like a zoetrope to create novel and hallucinatory ways of conceiving woman's mythical, divine, and creative power. It is an eclectic collection that mixes profound free verse, at times reading like a cascade of automatic writing, with pages from Nezval's dream journal, an exuberant set of Surrealist exercises, and a full-length play of chance encounters with "a woman like any other," all the while addressing the social and political uncertainties of the 1930s. Led off by Karel Teige's original collages from the first edition, Woman in the Plural is a vibrant and volatile tour de force from one of the greatest European writers of the 20th century.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vitezslav Nezval (1900-58), an original member of the avant-garde artists group Devetsil and a leading figure in the Poetist movement, was perhaps the most prolific Czech writer of the interwar period. His output consists of a number of poetry collections, experimental plays and novels, memoirs, essays, and translations. His best work is from the interwar period. Nezval frequently visited Paris, engaging with the French surrealists. Forging a friendship with Andre Breton and Paul Eluard, he was instrumental in founding The Surrealist Group in Czechoslovakia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In the summer of 1935, VA-tAE zslav Nezval, already one of the most celebrated Czech poets of his generation, embarked on a period of manic creativity that would result in three volumes of poetry written and published in a two-year span (1935-37), mirrored by three volumes of memoir-like poetic prose. These collections would not only reshape Czech poetry, blending approaches developed by the French Surrealists with national cultural sensibilities and political concerns, taken together they are among the highest achievements of the interwar avant-garde. Each of the three volumes adopted a different principle of Surrealism as its general modus operandi. For Woman in the Plural (1936), the first volume in this loose trilogy, it was objective chance (while the third and final volume, The Absolute Gravedigger (1937), adopted the paranoiac-critical method). As the title suggests, the collection is an extended meditation on the female form, the images of which Nezval spins zoetrope-like to convey novel and hallucinatory ways to conceive Womana (TM)s mythical, divine, and creative power. Aligned with the international modernism of the era, Woman in the Plural addresses the social and political instability of the 1930s while also serving to display Nezvala (TM)s prodigious talents in a variety of forms, styles, and genres. Alongside the madcap, entertainingly profound poetry in couplets, litanies, and stanzas of varying lengths, the collection also includes pages from Nezvala (TM)s dream journal, a set of exuberant Surrealist exercises, and a full-length play of chance encounters with "a woman like any other." Never before translated into English, this is a vibrant, volatile collection, a true tour de force from one of the greatest poets of the European avant-garde. Guided by the Surrealist principle of objective chance, Woman in the Plural is an extended meditation on women that displays Nezval's talents in a variety of forms and styles: profound free verse, at times reading like a cascade of automatic writing, paired with pages from a dream journal, exuberant Surrealist exercises, and a full-length play. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788086264561
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