This book was first published in Hindi under the title Hindi Alochana mein Canon-Nirman ki Prakriya in 2015. It was acclaimed as one of the first critical studies of the processes of canonization (pratimanikaran) in Hindi. Indeed, the word 'canon' was used by the author to ask a new set of questions about the development of languages of criticism in Hindi, moving beyond the available vocabulary of man (worth), mulya (value), pratiman (epitome), and manak (evaluation). In the process, the theological roots of canon formation were shown to be foundational in the making of the Hindi critical lexicon and canon.
This book presents a systematic but critical account of the beginnings, development and history of the process of canonization in Hindi via such exemplary figures as George Grierson, Garcin de Tassy, Ramchandra Shukla, Hazari Prasad Dwivedi, Ram Vilas Sharma, Muktibodh, Namwar Singh, Nirmal Verma, and Vijaydev Narayan Sahi. It proposes an intellectual history of Hindi criticism in the twentieth century, which today faces the challenges of a decanonization move in the form of feminist and Dalit thought.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mrityunjay Tripathi is assistant professor in the School of Letters, Ambedkar University Delhi. He has translated the autobiography of Mallikarjun Mansur into Hindi (Rasyatra) and a Hindi translation of John Berger's Ways of Seeing is forthcoming in 2018. Siyah Hashiye is a published collection of his poetry.
Shad Naved teaches in the Comparative Literature Program, School of Letters, Ambedkar University Delhi.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : As New. This book, first published in 2015 in Hindi, was acclaimed as one of the first critical studies on the processes of canonization (pratimanikaran) in Hindi. Its use of the English term 'canon' opened a new set of questions about the rise of languages of criticism in Hindi, which, the book argues, have consistently developed around a concern for selecting writers and poets for establishing the Hindi literary canon. It presents a systematic but critical account of the beginnings, in the late colonial period, and later development of the processes of canonization in Hindi via such representative intellectuals as Garcin de Tassy, George Grierson, the Mishr Brothers, Mahavir Prasad Dwivedi, Ramchandr Shukl, Hazari Prasad Dwivedi, Muktibodh, Ramvilas Sharma, Namvar Singh, Vijaydev Narayan Sahi and Nirmal Verma. The intergenerational debates between these writers (on devotionalism, eroticism and colonization) plough through the historical ground of development of Hindi around such canonical figures as Kabir, Jayasi and Tulsi, offering fresh ways to understand and relate to Hindi and its literature today. The book proposes an intellectual history of Hindi criticism into the twentieth century, which today faces the challenge of decanonization from feminist criticism and Dalit thought. N° de réf. du vendeur 128033
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