Synopsis
The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A. Graziano, and several suggestions from the embodied-enactive approach (in the works of Evan Thompson and Maxine Johnson-Smith) seemed particularly useful coordinates for this research composed of analytical reflections. The study focuses on the cognitive model based on the action of control, understood as an explanatory instrument for creating meaning, and follows up with the possible applications in the domain of film analysis. The work is the result of collaborative research spurred by theoretical advances and hypotheses from neuroscience, neurolinguistics, and film theory and analysis. On the account developed here, the structure of the control cycle cognitive model is regarded as central to sense-making.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Dr. Habil. Mircea Valeriu Deaca University of Bucharest, Department of History, Department of Ancient History, Archaeology and History of Art E-mail: mvdeaca@gmail.com
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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The Control Cycle in Film
Edité par
Sciendo Nov 2020, 2020
ISBN 10 : 8366675106
ISBN 13 : 9788366675100
Neuf
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A. Graziano, and several suggestions from the embodied-enactive approach (in the works of Evan Thompson and Maxine Johnson-Smith) seemed particularly useful coordinates for this research composed of analytical reflections. The study focuses on the cognitive model based on the action of control, understood as an explanatory instrument for creating meaning, and follows up with the possible applications in the domain of film analysis. The work is the result of collaborative research spurred by theoretical advances and hypotheses from neuroscience, neurolinguistics, and film theory and analysis. On the account developed here, the structure of the control cycle cognitive model is regarded as central to sense-making. 726 pp. Englisch. N° de réf. du vendeur 9788366675100
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The Control Cycle in Film
Edité par
Sciendo Nov 2020, 2020
ISBN 10 : 8366675106
ISBN 13 : 9788366675100
Neuf
Couverture rigide
Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
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Buch. Etat : Neu. Neuware -The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A. Graziano, and several suggestions from the embodied-enactive approach (in the works of Evan Thompson and Maxine Johnson-Smith) seemed particularly useful coordinates for this research composed of analytical reflections. The study focuses on the cognitive model based on the action of control, understood as an explanatory instrument for creating meaning, and follows up with the possible applications in the domain of film analysis. The work is the result of collaborative research spurred by theoretical advances and hypotheses from neuroscience, neurolinguistics, and film theory and analysis. On the account developed here, the structure of the control cycle cognitive model is regarded as central to sense-making.Gruyter, de Open, Genthiner Straße 13, 10785 Berlin 726 pp. Englisch. N° de réf. du vendeur 9788366675100
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The Control Cycle in Film : Circular Coupling from Brain to Culture
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A. Graziano, and several suggestions from the embodied-enactive approach (in the works of Evan Thompson and Maxine Johnson-Smith) seemed particularly useful coordinates for this research composed of analytical reflections. The study focuses on the cognitive model based on the action of control, understood as an explanatory instrument for creating meaning, and follows up with the possible applications in the domain of film analysis. The work is the result of collaborative research spurred by theoretical advances and hypotheses from neuroscience, neurolinguistics, and film theory and analysis. On the account developed here, the structure of the control cycle cognitive model is regarded as central to sense-making. N° de réf. du vendeur 9788366675100
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The Control Cycle in Film : Circular Coupling from Brain to Culture
Edité par
Sciendo, 2020
ISBN 10 : 8366675106
ISBN 13 : 9788366675100
Ancien ou d'occasion
Couverture rigide
Vendeur : Buchpark, Trebbin, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Etat : Hervorragend. Zustand: Hervorragend | Seiten: 726 | Sprache: Englisch | Produktart: Bücher | The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A. Graziano, and several suggestions from the embodied-enactive approach (in the works of Evan Thompson and Maxine Johnson-Smith) seemed particularly useful coordinates for this research composed of analytical reflections. The study focuses on the cognitive model based on the action of control, understood as an explanatory instrument for creating meaning, and follows up with the possible applications in the domain of film analysis. The work is the result of collaborative research spurred by theoretical advances and hypotheses from neuroscience, neurolinguistics, and film theory and analysis. On the account developed here, the structure of the control cycle cognitive model is regarded as central to sense-making. N° de réf. du vendeur 36900695/1
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Image d'archives
The Control Cycle in Film : Circular Coupling from Brain to Culture
Edité par
Sciendo, 2020
ISBN 10 : 8366675106
ISBN 13 : 9788366675100
Ancien ou d'occasion
Couverture rigide
Vendeur : Buchpark, Trebbin, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Etat : Sehr gut. Zustand: Sehr gut | Seiten: 726 | Sprache: Englisch | Produktart: Bücher | The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A. Graziano, and several suggestions from the embodied-enactive approach (in the works of Evan Thompson and Maxine Johnson-Smith) seemed particularly useful coordinates for this research composed of analytical reflections. The study focuses on the cognitive model based on the action of control, understood as an explanatory instrument for creating meaning, and follows up with the possible applications in the domain of film analysis. The work is the result of collaborative research spurred by theoretical advances and hypotheses from neuroscience, neurolinguistics, and film theory and analysis. On the account developed here, the structure of the control cycle cognitive model is regarded as central to sense-making. N° de réf. du vendeur 36900695/2
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