When asked who he considered an importance influence, Picasso only mentioned Goya (1746-1828). But, his extremely influence has arrived to a lot of modern and contemporary painters, such as Manet, the Expressionist movement on early twentieth-century and, most recently, Francis Bacon and Sigmar Polke. As painter of the Spanish Court, he created series of tapestry cartoons, wallpaintings, and individuals and group portraits, but, after his serious illness in late 1792, he starts an important body of uncommissioned works that introduces new elements which greatly enhance their expressive potential. This book, wrote by José Gudiol, one of the most renowed specialist in Spanish painting, is focuses on Goya s profoundly disturbing imagery, and demonstrates that his modernity derives from his lifelong investigation of what lies behind the world of appearances and convention.
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When asked who he considered an importance influence, Picasso only mentioned Goya (1746-1828). But, his extremely influence has arrived to a lot of modern and contemporary painters, such as Manet, the Expressionist movement on early twentieth-century and, most recently, Francis Bacon and Sigmar Polke. As painter of the Spanish Court, he created series of tapestry cartoons, wallpaintings, and individuals and group portraits, but, after his serious illness in late 1792, he starts an important body of uncommissioned works that introduces new elements which greatly enhance their expressive potential. This book, wrote by José Gudiol, one of the most renowed specialist in Spanish painting, is focuses on Goya’s profoundly disturbing imagery, and demonstrates that his modernity derives from his lifelong investigation of what lies behind the world of appearances and convention.
Este libro se centra en la imaginería profundamente turbadora de Goya y demuestra que su modernidad es producto de una perpetua investigación de todo aquello que subyace al mundo de las apariencias y los convencionalismos. 133 ilustraciones
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_470182635
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Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. First thus. 128pp, copiously illustrated in full colour. Green paper-covered boards with gilt titles to spine. Ochre endpapers. 4to. Volume is neat, clean, bright and tight throughout. In its original, lightly shelf worn, dust wrapper, very slightly bumped at edges. N° de réf. du vendeur 034385
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Vendeur : Pistil Books Online, IOBA, Seattle, WA, Etats-Unis
Oversize Hardback. Etat : Near Fine. Etat de la jaquette : Very Good. A clean, unmarked book with a tight binding. Edge wear to dust jacket. 8 5/8"w x 11 3/8"h. 128 pages. Keywords: Rococo, Romanticism, Painter, Spanish Artist, Tapestry cartoons, Court Paintings, Frescos, Engravings, Ediciones Poligrafa 2. N° de réf. du vendeur 159271
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Vendeur : Kepler-Buchversand Huong Bach, Weil der Stadt, Allemagne
4°, Hardcover/Pappeinband. Etat : Gut. 127 S., 133 lll. SU., gebraucht: sehr guter Zustand (fast wie neu). Contents: Childhood, education and first commissions (1746-1774) / Works for the Tapestry Factory and introduction to the Court (1774-1785) / Royal Painter and Painter to the Chamber (1786-1792) / Deafness and intense creative activity. First Painter to the Chamber (1792-1806) / The Penisnular War, the House of the Deaf Man and Bordeaux (1807-1828). Sprache: Englisch Gewicht in Gramm: 923. N° de réf. du vendeur 76030
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