La obra de Cela llena gran parte de la literatura española de los cincuenta últimos años del siglo XX. Desde el principio, y sin necesidad de someterse a ningún control ideológico, supo separarse de la España oficial y escribir unas obras críticas que pusieron de manifiesto el desánimo y la miseria económica y social en que había sumido al país el nuevo régimen. Aunque el autor tiene interés por presentar su obra como testimonio, no se limita a registrar unos hechos, sino que realiza una importante elaboración literaria.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Camilo José Cela nació en 1916 en Iria Flavia (La Coruña). Desde 1957 es académico de la Lengua. Fruto de sus andanzas por los caminos de España son sus libros Viaje a la Alcarria y Judíos, moros y cristianos. En 1942 se situó en primera línea de la narrativa española con La familia de Pascual Duarte, libro al que siguieron, entre otros, Pabellón de reposo, El Gallego y su cuadrilla, La colmena, Mrs. Caldwell habla con su hijo, Nuevo retablo de Don Cristobita, Las compañías convenientes y otros fingimientos y cegueras, Oficio de tinieblas 5 , Mazurca para dos muertos... En enero de 1980 es investido doctor honoris causa por la Universidad Compostelana. Asimismo, le es concedida la Gran Cruz de la Orden de Isabel La Católica. En 1982 se estrena en Madrid la película La colmena, dirigida por Mario Camus y con guión de José Luis Dibildos. Cela participa activamente en el filme, mediante la interpretación de uno de los personajes; Matías Martí, el inventor de palabras. En 1994 gana el Premio Planeta con La cruz de San Andrés. En 1987 recibió el Premio Príncipe de Asturias, en 1989 se le concede el Premio Nobel y el Premio Cervantes en 1995. Fallece en Madrid en enero del 2002.
La obra de Cela llena gran parte de la literatura española de los cincuenta últimos años del siglo XX. Desde el principio, y sin necesidad de someterse a ningún control ideológico, supo separarse de la España oficial y escribir unas obras críticas que pusieron de manifiesto el desánimo y la miseria económica y social en que había sumido al país el nuevo régimen. Aunque el autor tiene interés por presentar su obra como testimonio, no se limita a registrar unos hechos, sino que realiza una importante elaboración literaria.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. There are reasons to believe that Camilo Jose Cela knew perfectly well what he was doing as he wrote, between 1945 and 1950, La colmena , a novel that would counterweight the positive image the Franco regime was striving to build. In his foreword to the first edition Cela justifies and describes his text as a pale reflection . a humble shadow of the daily, harsh, deep and painful reality. His portrait of a sad and desperate Madrid immediately drew the attention of the censors: the novel was banned in Spain until 1955, four years after its first edition was released in Argentina. The idea of portraying the daily Madrid reality constitutes the very essence of La colmena and, quite paradoxically, gives the text its universal reach. In the first place La colmena is a novel with no main character or plot in a traditional sense: a host of characters (more than three hundred between real and fictitious) and sub-plots, run along the streets in this intricate work. Its unity, though, resides in the most frequently mentioned character, Martin Marco, whose wanderings along the distinct Madrid boroughs and spaces render the novel a certain structural coherence. At the same time the novel sets the hive characteristic right from its title, so the laborious existence of the characters allow the reader to explore the diverse corners of the city and the people that strive to survive there. But the hive image is also a paradox. Undoubtedly there is the racket and constant movement, but the teeming characters are portrayed as unemployed worker bees, thus without purpose or hope. In this sense Cela's Madrid is a space in which misery, poverty and decay are deeply rooted. The inhabitants of this city do not know where they are going to, or what is their purpose or destiny. And it will be from here that the most relevant topic of La colmena -solitude and isolation- stems. There is no real communication between characters as they all live immersed in their own, isolated, existential vacuum. La colmena became an immediate inspirational model for a new generation of young writers, that started publishing in the '50s centering their interests in the exploration of the social and political conditions of their present Spain. Though Cela abandoned the detailed depiction of reality in his following work ( Mrs. Caldwell habla con su hijo , 1953) La colmena stood as a reference for the social realistic novel during a decade. For many writers, mainly those who foresaw to use their narrative works as social and political tools to criticize The Franco regime, Cela's novel became the indisputable starting point, both to reveal and transform the Spain ill-being. N° de réf. du vendeur 00109765348
Quantité disponible : 1 disponible(s)
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. There are reasons to believe that Camilo Jose Cela knew perfectly well what he was doing as he wrote, between 1945 and 1950, La colmena , a novel that would counterweight the positive image the Franco regime was striving to build. In his foreword to the first edition Cela justifies and describes his text as a pale reflection . a humble shadow of the daily, harsh, deep and painful reality. His portrait of a sad and desperate Madrid immediately drew the attention of the censors: the novel was banned in Spain until 1955, four years after its first edition was released in Argentina. The idea of portraying the daily Madrid reality constitutes the very essence of La colmena and, quite paradoxically, gives the text its universal reach. In the first place La colmena is a novel with no main character or plot in a traditional sense: a host of characters (more than three hundred between real and fictitious) and sub-plots, run along the streets in this intricate work. Its unity, though, resides in the most frequently mentioned character, Martin Marco, whose wanderings along the distinct Madrid boroughs and spaces render the novel a certain structural coherence. At the same time the novel sets the hive characteristic right from its title, so the laborious existence of the characters allow the reader to explore the diverse corners of the city and the people that strive to survive there. But the hive image is also a paradox. Undoubtedly there is the racket and constant movement, but the teeming characters are portrayed as unemployed worker bees, thus without purpose or hope. In this sense Cela's Madrid is a space in which misery, poverty and decay are deeply rooted. The inhabitants of this city do not know where they are going to, or what is their purpose or destiny. And it will be from here that the most relevant topic of La colmena -solitude and isolation- stems. There is no real communication between characters as they all live immersed in their own, isolated, existential vacuum. La colmena became an immediate inspirational model for a new generation of young writers, that started publishing in the '50s centering their interests in the exploration of the social and political conditions of their present Spain. Though Cela abandoned the detailed depiction of reality in his following work ( Mrs. Caldwell habla con su hijo , 1953) La colmena stood as a reference for the social realistic novel during a decade. For many writers, mainly those who foresaw to use their narrative works as social and political tools to criticize The Franco regime, Cela's novel became the indisputable starting point, both to reveal and transform the Spain ill-being. N° de réf. du vendeur CIN8437607949A
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8437607949I5N00
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8437607949I3N00
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8437607949I3N00
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8437607949I3N10
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Reno, Reno, NV, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8437607949I3N00
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. There are reasons to believe that Camilo Jose Cela knew perfectly well what he was doing as he wrote, between 1945 and 1950, La colmena , a novel that would counterweight the positive image the Franco regime was striving to build. In his foreword to the first edition Cela justifies and describes his text as a pale reflection . a humble shadow of the daily, harsh, deep and painful reality. His portrait of a sad and desperate Madrid immediately drew the attention of the censors: the novel was banned in Spain until 1955, four years after its first edition was released in Argentina. The idea of portraying the daily Madrid reality constitutes the very essence of La colmena and, quite paradoxically, gives the text its universal reach. In the first place La colmena is a novel with no main character or plot in a traditional sense: a host of characters (more than three hundred between real and fictitious) and sub-plots, run along the streets in this intricate work. Its unity, though, resides in the most frequently mentioned character, Martin Marco, whose wanderings along the distinct Madrid boroughs and spaces render the novel a certain structural coherence. At the same time the novel sets the hive characteristic right from its title, so the laborious existence of the characters allow the reader to explore the diverse corners of the city and the people that strive to survive there. But the hive image is also a paradox. Undoubtedly there is the racket and constant movement, but the teeming characters are portrayed as unemployed worker bees, thus without purpose or hope. In this sense Cela's Madrid is a space in which misery, poverty and decay are deeply rooted. The inhabitants of this city do not know where they are going to, or what is their purpose or destiny. And it will be from here that the most relevant topic of La colmena -solitude and isolation- stems. There is no real communication between characters as they all live immersed in their own, isolated, existential vacuum. La colmena became an immediate inspirational model for a new generation of young writers, that started publishing in the '50s centering their interests in the exploration of the social and political conditions of their present Spain. Though Cela abandoned the detailed depiction of reality in his following work ( Mrs. Caldwell habla con su hijo , 1953) La colmena stood as a reference for the social realistic novel during a decade. For many writers, mainly those who foresaw to use their narrative works as social and political tools to criticize The Franco regime, Cela's novel became the indisputable starting point, both to reveal and transform the Spain ill-being. N° de réf. du vendeur CIN8437607949G
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. There are reasons to believe that Camilo Jose Cela knew perfectly well what he was doing as he wrote, between 1945 and 1950, La colmena , a novel that would counterweight the positive image the Franco regime was striving to build. In his foreword to the first edition Cela justifies and describes his text as a pale reflection . a humble shadow of the daily, harsh, deep and painful reality. His portrait of a sad and desperate Madrid immediately drew the attention of the censors: the novel was banned in Spain until 1955, four years after its first edition was released in Argentina. The idea of portraying the daily Madrid reality constitutes the very essence of La colmena and, quite paradoxically, gives the text its universal reach. In the first place La colmena is a novel with no main character or plot in a traditional sense: a host of characters (more than three hundred between real and fictitious) and sub-plots, run along the streets in this intricate work. Its unity, though, resides in the most frequently mentioned character, Martin Marco, whose wanderings along the distinct Madrid boroughs and spaces render the novel a certain structural coherence. At the same time the novel sets the hive characteristic right from its title, so the laborious existence of the characters allow the reader to explore the diverse corners of the city and the people that strive to survive there. But the hive image is also a paradox. Undoubtedly there is the racket and constant movement, but the teeming characters are portrayed as unemployed worker bees, thus without purpose or hope. In this sense Cela's Madrid is a space in which misery, poverty and decay are deeply rooted. The inhabitants of this city do not know where they are going to, or what is their purpose or destiny. And it will be from here that the most relevant topic of La colmena -solitude and isolation- stems. There is no real communication between characters as they all live immersed in their own, isolated, existential vacuum. La colmena became an immediate inspirational model for a new generation of young writers, that started publishing in the '50s centering their interests in the exploration of the social and political conditions of their present Spain. Though Cela abandoned the detailed depiction of reality in his following work ( Mrs. Caldwell habla con su hijo , 1953) La colmena stood as a reference for the social realistic novel during a decade. For many writers, mainly those who foresaw to use their narrative works as social and political tools to criticize The Franco regime, Cela's novel became the indisputable starting point, both to reveal and transform the Spain ill-being. N° de réf. du vendeur CIN8437607949A
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books: West, Reno, NV, Etats-Unis
Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 68939322-75
Quantité disponible : 1 disponible(s)