Articles liés à Max Bill
Synopsis
The definitive illustrated monograph on 20th-century Swiss artist, designer, and architect Max Bill, whose work spanned from graphic design and advertising typography to product and furniture design and from painting to sculpture.
A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume--the most thorough Bill overview ever published in English, and the only monograph in print--presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography--from large-format posters to small inserts in periodicals--as well as his designs for exhibition spaces.
Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself.
Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988.
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Max Bill
Edité par
Fundacià n Juan March, 2016
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Ancien ou d'occasion
Couverture rigide
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
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Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M847075632XZ3
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EUR 17,19
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Image d'archives
Max Bill
Edité par
Fundación Juan March, 2016
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Ancien ou d'occasion
Couverture rigide
Vendeur : Old Editions Book Shop, ABAA, ILAB, North Tonawanda, NY, Etats-Unis
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Hardcover. Etat : Very Good. Mild shelfwear and bumping to boards, mild soiling on page edges. Solid binding and clean text. No ownership marks, ex-lib marks, stamps or stickers. International addresses will require extra postage due to size. ; Color Illustrations; 4to 11" - 13" tall; 329 pages. N° de réf. du vendeur 13456
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Max Bill
Edité par
Fundacià n Juan March, 2016
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Ancien ou d'occasion
Couverture rigide
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
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Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. N° de réf. du vendeur M847075632XZ4
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Max Bill
Edité par
Fundación Juan March, 2016
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Ancien ou d'occasion
Couverture rigide
Edition originale
Vendeur : SatelliteBooks, Burlington, VT, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
hardcover. Etat : Hardcover. First edition. Hardcover. First Edition. Minor shelf-wear. Free of any markings and no writings inside. For any additional information or pictures, please inquire. N° de réf. du vendeur 250517034
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Max Bill
Edité par
Fundacion Juan March February 2016, 2016
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Neuf
Couverture rigide
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Évaluation du vendeur 4 sur 5 étoiles
Hardcover. Etat : New. A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of 'homo faber' and 'homo ludens' throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume-the most thorough Bill overview ever published in English, and the only monograph in print-presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography-from large-format posters to small inserts in periodicals-as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself. Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988. BEAUTIFUL COPY!!! N° de réf. du vendeur 330709
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EUR 22,16
Expédition à EUR 6,46
Expédition nationale : Etats-Unis
Expédition nationale : Etats-Unis
Quantité disponible : 1 disponible(s)
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Max Bill
Edité par
Artbook D.A.P., 2015
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Ancien ou d'occasion
Couverture rigide
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : Very Good. Etat de la jaquette : None. 1. Minor shelf wear; some rubbing to boards. Else a bright, clean copy. The definitive illustrated monograph on 20th-century Swiss artist, designer, and architect Max Bill, whose work spanned from graphic design and advertising typography to product and furniture design and from painting to sculpture. A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume--the most thorough Bill overview ever published in English, and the only monograph in print--presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography--from large-format posters to small inserts in periodicals--as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself. Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988. . N° de réf. du vendeur 2035274
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EUR 24,82
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Max Bill (Hardcover)
Edité par
Fundacion Juan March, Madrid, 2000
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Neuf
Couverture rigide
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : new. Hardcover. The definitive illustrated monograph on 20th-century Swiss artist, designer, and architect Max Bill, whose work spanned from graphic design and advertising typography to product and furniture design and from painting to sculpture.A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume--the most thorough Bill overview ever published in English, and the only monograph in print--presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography--from large-format posters to small inserts in periodicals--as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the Sao Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself. Max Bill (1908-94) studied at the Bauhaus from 1927 to 1928 with Wassily Kandinsky, Paul Klee and Oskar Schlemmer, after which he moved to Zurich. He cofounded the Ulm School of Design in Germany in 1951. He had his first US exhibition at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788470756320
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Expédition nationale : Etats-Unis
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Image d'archives
Max Bill
Edité par
Fundacion Juan March, 2015
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Ancien ou d'occasion
Couverture rigide
Vendeur : ANARTIST, New York, NY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Hardcover without dustjacket as issued, 332 pages; in English, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur MaBiFu45
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EUR 39,89
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Expédition nationale : Etats-Unis
Expédition nationale : Etats-Unis
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Image d'archives
Max Bill
Edité par
Fundaci�n Juan March, 2016
ISBN 10 : 847075632X
ISBN 13 : 9788470756320
Neuf
Couverture rigide
Vendeur : Russell Books, Victoria, BC, Canada
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : New. Special order direct from the distributor. N° de réf. du vendeur ING9788470756320
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EUR 30,99
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Max Bill
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur IB-9788470756320
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EUR 39,80
Expédition à EUR 10,92
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Expédition depuis Royaume-Uni vers Etats-Unis
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