Daniel Canogar's photographs and photographic installations have long dwelt on issues of immersion and realism, of corporeal images and sensations, of light instrumentalized to reveal figments and traces of visual matter. His consistent use of photography undermines and transcends simple questions of photographic realism through play and variable scales, obsessive pseudo-repetition, and disconcerting projection procedures and surfaces. The Zero Gravity opus contains Departure, a forest of manipulable fiber optic cables that obliges spectators to blaze their own image trails; Pulse of Darkness projects an endless wall-to-wall loop of photographed bones; and Leap of Faith adopts a panoramic cylindrical structure as an ethereal white surface charged with dozens of floating bodies. Daniel Canogar was born in 1964 in Madrid, where he continues to live and work. He studied visual communications and received a Master's in photography from New York University and the International Center for Photography.
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. N° de réf. du vendeur M849595110XZ2
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Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! N° de réf. du vendeur OTF-S-9788495951106
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Etat : New. N° de réf. du vendeur I-9788495951106
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Daniel Canogar (born Madrid 1964) lives and works in Madrid. He studied visual communications and received his Master's in photography from New York University and the International Centre for Photography in 1990. Daniel Canogar's work has long dwelt on issues of immersion and realism, of corporeal images and sensations, of light instrumentalized to reveal figments and traces of visual matter. His consistent use of photography undermines and transcends simple questions of photographic realism, through play with variable scales, obsessive pseudo-repetition and disconcerting projection procedures and surfaces. Canogar's work has long dwelt on issues of immersion and realism, of corporeal images and sensations, of light instrumentalized to reveal figments and traces of visual matter. He undermines simple questions of photographic realism, through play with variable scales and obsessive pseudo-repetition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788495951106
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, unpaginated; in English with Spanish at rear; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur DaCaAC20
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. illustrated edition. 160 pages. 10.75x7.75x0.75 inches. In Stock. N° de réf. du vendeur x-849595110X
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Vendeur : O.o.l.p., Torino, TO, Italie
N° de réf. du vendeur 6eef2dc113b1127aa498c194916a950e
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Vendeur : Libros Angulo, Madrid, M, Espagne
Encuadernación de tapa dura. Etat : Como Nuevo. ACTAR, Centre d'Art Santa Mònica, 2003. Texto en inglés. Fotografía. Arte. Libro de fotografías. 160 pp. 28 x 20. Tapa blanda de editorial ilustrada con solapas. Como nuevo, sin recorrido comercial, con retractilado plástico de editorial sin rasgar. ISBN: 9788495951106. N° de réf. du vendeur 038902
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