Giovanni Bastianini, probabilmente il miglior imitatore fiorentino della scultura italiana rinascimentale dell'Ottocento, è stato oggetto di una controversia che continua ancora oggi. Analizzando la dicotomia tra il suo stile pseudo-rinascimentale e contemporaneo, Moskowitz pone saldamente la sua figura nel contesto economico, politico e culturale del Risorgimento. Europei e Americani, desiderosi di assimilare l'atmosfera di una perduta Età dell'Oro, rappresentarono un mercato pronto a incoraggiare la produzione di arte neorinascimentale.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anita Moskowitz, Professor Emerita at Stony Brook University, has lectured and published widely on Italian Gothic and Renaissance sculpture, and issues of forgery and imitations.
Giovanni Bastianini (1830-68) was a Florentine sculptor whose creations answered to the growing demand for Renaissance and Renaissance-like works of art during the second half of the 19th century. Arguably the most infamous and gifted imitator of Italian Renaissance sculpture, he became a subject of great controversy during his lifetime that continues to this day. This book examines Bastianini’s total oeuvre, exploring the dichotomy between his pseudo-Renaissance and his contemporary ‘period’ style. At the same time, it places him firmly within the economic, political and cultural context that encouraged the production of neo-Renaissance art, which found a ready market in both Europe and the New World. The book will be of great interest not only to scholars of Italian Renaissance and nineteenth-century sculpture attempting to sort out the authentic from works of questionable attribution, but also to those engaged in the history of taste and the conditions surrounding the Risorgimento that promoted the creation and acquisition of Renaissance art and artifacts in both Europe and the New World during the latter part of the nineteenth century.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : NUOVO. Firenze, Olschki Ed. cm 21,5 x 32, xvi-174 pp. con 91 tavv. f.t. Rilegato. English text. Arte e archeologia - Studi e documenti, 32. Inglese Giovanni Bastianini, probabilmente il miglior imitatore fiorentino della scultura italiana rinascimentale dell'Ottocento, è stato oggetto di una controversia che continua ancora oggi. Analizzando la dicotomia tra il suo stile pseudo-rinascimentale e contemporaneo, Moskowitz pone saldamente la sua figura nel contesto economico, politico e culturale del Risorgimento. Europei e Americani, desiderosi di assimilare l'atmosfera di una perduta Età dell'Oro, rappresentarono un mercato pronto a incoraggiare la produzione di arte neorinascimentale. / Giovanni Bastianini, arguably the most gifted Florentine imitator of Italian Renaissance sculpture during the 19th century, became the subject of controversy that continues to this day. While exploring the dichotomy between his pseudo-Renaissance and his contemporary 'period' style, Moskowitz places him firmly within the economic, political and cultural context of the Risorgimento. Both Europeans and Americans, eager to imbibe the atmosphere of a lost Golden Age, formed a ready market that encouraged the production of neo-Renaissance art. N° de réf. du vendeur 205571
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Hardcover. Etat : new. Hardcover. Giovanni Bastianini (1830-1868) was a Florentine sculptor whose creations answered to the growing demand for Renaissance and Renaissance-like works of art during the second half of the 19th century. Arguably the most infamous and gifted imitator/faker of Italian Renaissance sculpture, he became a subject of great controversy during his lifetime that continues to this day. This book examines Bastianini's total oeuvre, exploring the differences between his pseudo-Renaissance and his contemporary 'period' style. At the same time, it places him firmly within the economic, political and cultural context that encouraged the production of neo-Renaissance art, which found a ready market in both Europe and the New World. The book will be of great interest not only to scholars of Italian Renaissance and nineteenth-century sculpture attempting to sort out the authentic from works of questionable attribution, but also to those engaged in the history of taste and the conditions surrounding the Risorgimento that promoted the creation and acquisition of Renaissance art and artifacts in both Europe and the New World during the latter part of the nineteenth century. Giovanni Bastianini (18301868) was a gifted Florentine sculptor, but anoutstanding creator of fakes. This book explores both hisown style and the style of the works he sold as Renaissance art, and the natureof the demand for them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788822261717
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Couverture rigide. Etat : Neuf. Etat de la jaquette : Neuf. Edition originale. Forging authenticity Giovanni Bastianini and the Neo-Renaissance in Nineteenth-Century Florence Moskowitz,Anita Fiderer Quantità: 1 ISBN: 9788822261717 Leo S. Olschki, Firenze, 2013. Condizione libro: NEW / NUOVO. Arte e archeologia : studi e documenti 32 1800 174 p. : 91 tav. f.t. ill. col. b/n ; 32 cm. Giovanni Bastianini, probabilmente il miglior imitatore fiorentino della scultura italiana rina-scimentale dell'Ottocento, è stato oggetto di una controversia che continua ancora oggi. Ana-lizzando la dicotomia tra il suo stile pseudo-rinascimentale e contemporaneo, Moskowitz pone saldamente la sua figura nel contesto economico, politico e culturale del Risorgimento. Euro-pei e Americani, desiderosi di assimilare l'atmosfera di una perduta Età dell'Oro, rappresenta-rono un mercato pronto a incoraggiare la produzione di arte neorinascimentale. Giovanni Bastianini, arguably the most gifted Florentine imitator of Italian Renaissance scul-pture during the 19th century, became the subject of controversy that continues to this day. While exploring the dichotomy between his pseudo-Renaissance and his contemporary 'pe-riod' style, Moskowitz places him firmly within the economic, political and cultural context of the Risorgimento. Both Europeans and Americans, eager to imbibe the atmosphere of a lost Golden Age, formed a ready market that encouraged the production of neo-Renaissance art. Codice libro della libreria 007279 - Text in english language Size: 32 cm. N° de réf. du vendeur 007279
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Brossura. Etat : libro nuovo. Cm.32x21,5. Pg.XVI, 174. Con 91 tavole fuori testo Rilegato. English text. Arte e archeologia - Studi e documenti, n°32. 1437 gr. N° de réf. du vendeur 84282
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Vendeur : Luigi De Bei, PREGANZIOL, TV, Italie
Couverture rigide. Etat : Neuf. Etat de la jaquette : Neuf. Edition originale. Title: Forging authenticity: Giovanni BASTIANINI and the Neo-Renaissance in Nineteenth-Century Florence Author: Moskowitz, Anita Fiderer Price: eur 98.00 ISBN: 9788822261717 Description: Firenze: Olschki, 2013. 32cm., hardcover, 174pp., 91pp. plates. English text. Summary: Giovanni Bastianini (1830- 68) was a Florentine sculptor whose creations answered to the growing demand for Renaissance and Renaissance-like works of art during the second half of the 19th century. Arguably the most infamous and gifted imitator of Italian Renaissance sculpture, he became a subject of great controversy during his lifetime that continues to this day. This book examines Bastianini's total oeuvre, exploring the dichotomy between his pseudo-Renaissance and his contemporary 'period' style. At the same time, it places him firmly within the economic, political and cultural context that encouraged the production of neo-Renaissance art, which found a ready market in both Europe and the New World. The book will be of great interest not only to scholars of Italian Renaissance and nineteenth-century sculpture attempting to sort out the authentic from works of questionable attribution, but also to those engaged in the history of taste and the conditions surrounding the Risorgimento that promoted the creation and acquisition of Renaissance art and artifacts in both Europe and the New World during the latter part of the nineteenth century. (Arte e Archeologia, Studi e Documenti, 32) Codice articolo 008826 - Language : english text. N° de réf. du vendeur 008826
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Hardcover. Etat : new. Hardcover. Giovanni Bastianini (1830-1868) was a Florentine sculptor whose creations answered to the growing demand for Renaissance and Renaissance-like works of art during the second half of the 19th century. Arguably the most infamous and gifted imitator/faker of Italian Renaissance sculpture, he became a subject of great controversy during his lifetime that continues to this day. This book examines Bastianini's total oeuvre, exploring the differences between his pseudo-Renaissance and his contemporary 'period' style. At the same time, it places him firmly within the economic, political and cultural context that encouraged the production of neo-Renaissance art, which found a ready market in both Europe and the New World. The book will be of great interest not only to scholars of Italian Renaissance and nineteenth-century sculpture attempting to sort out the authentic from works of questionable attribution, but also to those engaged in the history of taste and the conditions surrounding the Risorgimento that promoted the creation and acquisition of Renaissance art and artifacts in both Europe and the New World during the latter part of the nineteenth century. Giovanni Bastianini (18301868) was a gifted Florentine sculptor, but anoutstanding creator of fakes. This book explores both hisown style and the style of the works he sold as Renaissance art, and the natureof the demand for them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9788822261717
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