Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date".
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date". Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788833131047
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Brossura. Etat : new. Edited by Foletti I. and Lovino F.English Text.Roma, 2018; paperback, pp. 184, b/w ill., cm 16,5x24.(Studia Artium Medievalium Brunensia. 7). Libro. N° de réf. du vendeur 3490683
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Etat : NEW. Roma: Viella, 2019 9788833131047 Studia artium Medievalium Brunensia 7 609 184 p. : ill. col. b/n, indice, biografia ; 24 cm. Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date". Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date". Foletti,Ivan - Lovino,Francesco. N° de réf. du vendeur D0118057880
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Paperback. Etat : new. Paperback. Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date". Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9788833131047
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