Chutes de papier, limaille de métal, tontes de laine ... ... décors démontés, chiffons abîmés, sang d'animaux ...
Comment ces sous-produits de l'art et de l'industrie, apparemment sans valeur, ont-ils évité les flammes de l'âtre de la cuisine ou le balai de l'apprenti pour susciter l'ingéniosité, générer de nouvelles formes et propulser d'autres actes de création ? Wastework va au-delà de la catégorie bien étudiée de la spoliation, en mettant l'accent sur les déchets en tant qu'expression matérielle des pratiques d'ordre et de classification par lesquelles les gens décidaient entre la collecte et l'élimination, le désiré et le non désiré, le salut et la perte. Les auteurs suivent la vie des livres usés et des textiles souillés, jettent un coup d'œil derrière le rideau du théâtre des machines et s'aventurent dans la fonderie du forgeron et le laboratoire du chimiste.
Rassemblant les recherches d'historiens de l'art, de l'architecture, des sciences et de l'environnement, ce volume examine les actes d'élimination et de réutilisation et leurs conséquences pour l'étude de la culture matérielle du début de l'ère moderne. Puisant dans les domaines de l'étude des déchets et de l'écomatérialisme, les auteurs testent l'utilité des formulations contemporaines - cycles de produits secondaires, fatigue matérielle, flux métaboliques, durabilité, recyclage - tout en proposant de nouvelles catégories pour réimaginer le passé mis au rebut.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Francesca Borgo is Lecturer at the University of St Andrews and Principal Investigator of the five-year Lise Meitner Group “Decay, Loss, and Conservation in Art History” at the Bibliotheca Hertziana – Max Planck Institute for Art History, Rome.
Ruth Ezra is Lecturer at the University of St Andrews, where she specializes in the material and visual culture of early modern northern Europe. She is most curious about techniques and materials, workshop practices, and feedback loops between process and form.
The book offers innovative and interdisciplinary studies about the reuse and value of waste and discards in early modern material culture.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Paper scraps, metal filings, wool shearings. dismantled sets, spoiled rags, animal blood.How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past. N° de réf. du vendeur LU-9788833672793
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Paperback. Etat : new. Paperback. Paper scraps, metal filings, wool shearings dismantled sets, spoiled rags, animal blood How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past. AUTHORS: Francesca Borgo is Lecturer at the University of St Andrews and Principal Investigator of the five-year Lise Meitner Group Decay, Loss, and Conservation in Art History at the Bibliotheca Hertziana Max Planck Institute for Art History, Rome. Ruth Ezra is Lecturer at the University of St Andrews, where she specialises in the material and visual culture of early modern northern Europe. She is most curious about techniques and materials, workshop practices, and feedback loops between process and form. SELLING POINTS: . Innovative and interdisciplinary approach to themes little covered by studies . Investigations of objects and aspects of material culture that touches on topics very much alive in today's cultural debate (eco-materialism, sustainability, reuse, global studies) . Charts the inaugural results of the scientific research project Decay, Loss, and Conservation in Art History of the Bibliotheca Hertziana - Max Planck Institute for Art History in Rome, one of the most important institutions for Art History and research in Italy and Germany 38 colour, 31 b/w illustrations The book offers innovative and interdisciplinary studies about the reuse and value of waste and discards in early modern material culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788833672793
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Etat : NUOVO. Milano, Officina Libraria cm.16,5x24, pp.160, illustrazioni a colori. brossura con copertina figurata Dis/Appearance, 1. Carta straccia, limature di metallo, cera persa, residui di lavorazione di cardatura e tintura, rifiuti edili. In che modo questi scarti dell'arte e dell'industria, apparentemente senza valore, hanno evitato le fiamme del focolare o il colpo di scopa del garzone di bottega per accendere invece l'ingegno, generare nuove forme, e dare impulso a ulteriori atti di creazione? Guardando oltre alle categorie ben indagate di spoliazione e reimpiego, Wastework mette in primo piano lo scarto come espressione materiale di pratiche di ordinamento e classificazione di chi decide di volta in volta tra raccolta e smaltimento, desiderato e indesiderato, salvezza e perdita. Gli autori del volume seguono i destini di stracci sporchi e foglie di indaco in decomposizione, sbirciano i macchinari teatrali dietro il sipario, si avventurano nella fonderia del fabbro, nel laboratorio del chimico, e nelle gallerie dei minatori. Riunendo ricerche di storici dell'arte, dell'architettura, della scienza e dell'ambiente, questo volume esamina gli atti di smaltimento e di riuso, e le conseguenze questi comportano per lo studio della cultura materiale della prima età moderna. Attingendo al campo dei Discard Studies e dell'ecomaterialismo, questi saggi mettono alla prova l'utilità di formulazioni contemporanee - sostenibilità, riciclo, zero-waste, ciclo di vita del prodotto, flussi metabolici - e propongono nuove categorie con cui re-immaginare il passato che abbiamo scartato. Edited by Francesca Borgo, Ruth Ezra. N° de réf. du vendeur 336591
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