The German painter Mathis Grünewald (c. 1480–1528) has remained one of the most enigmatic figures of the Renaissance, his artistic identity defined by stylistic complexity and historical obscurity. In this study, Edoardo Villata reexamines Grünewald’s oeuvre through a critical reassessment of sources, stylistic developments, and the broader network of artistic influences. Moving beyond established interpretations, Villata explores the relationship between documentary research and comparative analysis, situating Grünewald within the artistic and intellectual landscape of his time. By integrating stylistic analysis, documentary research, and an expansive perspective that extends beyond painting to sculpture and religious thought (two of the most relevant results are the discovery of the role of the sculptor Tilman Riemenschneider for his training and of Johann von Staupitz, Luther´s mentor, for the iconography of the Isenheim Altarpiece), Villata reassesses Grünewald’s possible connections to contemporary artistic centers, offering a new reading of his production and its historical significance. Much more than a monograph, this study challenges prevailing narratives and highlights the necessity of methodological stringency in art historical research. Essential reading for scholars and specialists, it provides an indispensable contribution to Grünewald studies and Renaissance historiography.
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Edoardo Villata est professeur associé à la Northeastern University, Shenyang (Liaoning, Chine). Il est l'auteur de plusieurs livres et articles sur des artistes de la Renaissance tels que Leonardo da Vinci (2005, 2021), Bramantino (2012), Gaudenzio Ferrari (2004), Pordenone (2016), Macrino d'Alba (2000) ; il a été commissaire d'expositions importantes organisées à Florence, Milan et Rancate (Suisse).
An important monograph dedicated to one of the most important protagonists of German Renaissance painting, Mathis Grünewald (c. 1480-1528), in the light of significant archival and iconographic novelties.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. An important monograph dedicated to one of the most important protagonists of German Renaissance painting, Mathis Gruenewald (c. 1480-1528), in the light of significant archival and iconographic novelties. The German painter Matthias Gruenewald (c. 14801528) has remained one of the most enigmatic figures of the Renaissance, his artistic identity defined by stylistic complexity and historical obscurity. In this study, Edoardo Villata reexamines Gruenewald's oeuvre through a critical reassessment of sources, stylistic developments, and the broader network of artistic influences. Moving beyond established interpretations, Villata explores the relationship between documentary research and comparative analysis, situating Gruenewald within the artistic and intellectual landscape of his time. By integrating stylistic analysis, documentary research, and an expansive perspective that extends beyond painting to sculpture and religious thought (two of the most relevant results are the discovery of the role of the sculptor Tilman Riemenschneider for his training and of Johann von Staupitz, Luther's mentor, for the iconography of the Isenheim Altarpiece), Villata reassesses Gruenewald's possible connections to contemporary artistic centres, offering a new reading of his production and its historical significance. Much more than a monograph, this study challenges prevailing narratives and highlights the necessity of methodological stringency in art historical research. Essential reading for scholars and specialists, it provides an indispensable contribution to Gruenewald studies and Renaissance historiography. AUTHOR: Edoardo Villata is associate professor at Northeastern University, Shenyang (Liaoning, China). He is the author of several books and articles on Renaissance artists such as Leonardo da Vinci (2005, 2021), Bramantino (2012), Gaudenzio Ferrari (2004), Pordenone (2016), Macrino d'Alba (2000); he has curated major exhibitions held in Florence, Milan and Rancate (Switzerland). SELLING POINTS: . Comprehensive monographic work dedicated to one of the masters of the German Renaissance, whose works are housed in the world's major museums . The author rereads the painter's entire activity with new iconographic readings and numerous archival discoveries, particularly relating to his training and the relationship with the artists of his time . Elegant volume with extensive colour images and many details, in particular of the restored Isenheim altar, a masterpiece in the collection of the Musee Unterlinden in Colmar 185 colour, 25 b/w illustrations An important monograph dedicated to one of the most important protagonists of German Renaissance painting, Mathis Gruenewald (c. 1480-1528), in the light of significant archival and iconographic novelties. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788833673349
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Brossura. Etat : new. Foreword by Pantxika Béguerie-De Paepe.English Text.Milano, 2025; paperback, pp. 340, 210 b/w and col. ill., cm 20,5x27.(La Grande Officina). Il pittore tedesco Mathis Grünewald (1480-1528 circa) rimane una delle figure più enigmatiche del Rinascimento tedesco, la cui identità artistica è definita dalla complessità stilistica delle sue opere e dall'oscurità dei dati storici. In questo volume interamente in lingua inglese, Edoardo Villata riesamina l'opera di Grünewald attraverso la rivalutazione critica delle fonti, degli sviluppi stilistici e dell'ampia spettro di influenze artistiche, andando oltre le interpretazioni consolidate. Grazie a una lunga ricerca d'archivio, si offrono qui numerosi spunti inediti sulla sua attività, in particolare sulla sua formazione presso lo scultore Tilman Riemenschneider, sulla lettura iconografica delle sue opere, su tutte quella dell'altare di Isenheim, tuttora uno dei vertici artistici del pittore, oltre che sui suoi rapporti con il panorama artistico e culturale del tempo. Questo studio, molto più di una monografia, mette in discussione le narrazioni prevalenti e sottolinea la necessità di un rigore metodologico nella ricerca storico-artistica. Una lettura essenziale sull'artista, che fornisce un contributo indispensabile per gli studi su Grünewald e sulla storiografia rinascimentale, specialmente d'Oltralpe. Libro. N° de réf. du vendeur 4151342
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