Mythology, history, and social events have long provided artists with inspiration. For Shirin Neshat (Qazvin, Iran, 1957), emotions and personal life experiences have also played an essential role in her artistic practice. In this catalogue - published in cooperation with Mathaf: Arab Museum of Modern Art (Doha) - the artist looks at the connections between ancient history and the politics of the present in work, characterized by a strong visual language that employs photography, calligraphy, poetry, and filmmaking to explore the primal concepts of violence, passion and love that drive human history. In her work, Neshat bears witness to the capacity of human beings to simultaneously build and destroy what constitutes them and their civilizations. Combining poetic visuals and textual language that reveal the paradoxes of beauty and violence, the artworks displayed in Mathaf's galleries propose different perspectives on these collective histories. The contrasts and dissonant rhythms created between the individual works are part of the catalogue's layout, with the viewer experiencing a succession of powerful images and emptier spaces
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mythology, history, and social events have long provided artists with inspiration. For Shirin Neshat (Qazvin, Iran, 1957), emotions and personal life experiences have also played an essential role in her artistic practice. In this catalogue - published in cooperation with Mathaf: Arab Museum of Modern Art (Doha) - the artist looks at the connections between ancient history and the politics of the present in work, characterized by a strong visual language that employs photography, calligraphy, poetry, and filmmaking to explore the primal concepts of violence, passion and love that drive human history. In her work, Neshat bears witness to the capacity of human beings to simultaneously build and destroy what constitutes them and their civilizations. Combining poetic visuals and textual language that reveal the paradoxes of beauty and violence, the artworks displayed in Mathaf's galleries propose different perspectives on these collective histories. The contrasts and dissonant rhythms created between the individual works are part of the catalogue's layout, with the viewer experiencing a succession of powerful images and emptier spaces
Mythology, history, and social events have long provided artists with inspiration. For Shirin Neshat (Qazvin, Iran, 1957), emotions and personal life experiences have also played an essential role in her artistic practice. In this catalogue - published in cooperation with Mathaf: Arab Museum of Modern Art (Doha) - the artist looks at the connections between ancient history and the politics of the present in work, characterized by a strong visual language that employs photography, calligraphy, poetry, and filmmaking to explore the primal concepts of violence, passion and love that drive human history. In her work, Neshat bears witness to the capacity of human beings to simultaneously build and destroy what constitutes them and their civilizations. Combining poetic visuals and textual language that reveal the paradoxes of beauty and violence, the artworks displayed in Mathaf's galleries propose different perspectives on these collective histories. The contrasts and dissonant rhythms created between the individual works are part of the catalogue's layout, with the viewer experiencing a succession of powerful images and emptier spaces
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. N° de réf. du vendeur M8836630863Z2
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Soft cover. Etat : Very good. No jacket. In English and Arabic. Catalog published on the occasion of an exhibition helf at the Arab Museum of Modern Art, Doha from November 9, 2014 to February 15, 2015. Cover is lightly worn along edges. Binding is tight and inside is clean and unmarked. N° de réf. du vendeur 2050705
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M8836630863Z3
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized. N° de réf. du vendeur M8836630863Z4
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
paperback. Etat : Very Good. Very Good .Ships From Multiple Locations. book. N° de réf. du vendeur ERICA80388366308636
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 115154
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