Articles liés à Gian Paolo Barbieri
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Synopsis
Skin is the new work of nudes by Gian Paolo Barbieri, that is more introspective than previous ones, featuring almost metaphysical visions of memories, visitations, dedications, cultural experiences. These are no longer snapshots of sensuality; rather, they are descriptions of situations, moments, events stuck in his mind, memories of sensations he had in museums, experiences from night-time readings. Barbieri's anthology of (male and female) images, narrated with an austere black and white, goes beyond the conceptual and the merry realisation. He designs an asceticism of the expenditure of love. The agnostic/profligate images of Skin express a metaphysics of the body and tell us that, when it comes to sexual freedoms, profligacy sets you freer than wisdom.
These pictures are visions of beauty, which in order to be fully understood call for distinctions, finesses and refinements to which many historians, critics and authors (even the most celebrated ones) are not accustomed, as they are submitted to what moral, ideological or religious authorities teach them. The visual score of Skin gets to the core of photography and history.
The lightness and grace of images, the skilled use of black and white, of light and shadows, of postures gives evidence of beauty. The photography of Barbieri's uncovered bodies is a deep testimony of the human condition, shows that taking pictures means looking life right in the face, turning one's own existence into a work of art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de la quatrième de couverture
Skin is the new work of nudes by Gian Paolo Barbieri, that is more introspective than previous ones, featuring almost metaphysical visions of memories, visitations, dedications, cultural experiences. These are no longer snapshots of sensuality; rather, they are descriptions of situations, moments, events stuck in his mind, memories of sensations he had in museums, experiences from night-time readings. Barbieri's anthology of (male and female) images, narrated with an austere black and white, goes beyond the conceptual and the merry realisation. He designs an asceticism of the expenditure of love. The agnostic/profligate images of Skin express a metaphysics of the body and tell us that, when it comes to sexual freedoms, profligacy sets you freer than wisdom.
These pictures are visions of beauty, which in order to be fully understood call for distinctions, finesses and refinements to which many historians, critics and authors (even the most celebrated ones) are not accustomed, as they are submitted to what moral, ideological or religious authorities teach them. The visual score of Skin gets to the core of photography and history.
The lightness and grace of images, the skilled use of black and white, of light and shadows, of postures gives evidence of beauty. The photography of Barbieri's uncovered bodies is a deep testimony of the human condition, shows that taking pictures means looking life right in the face, turning one's own existence into a work of art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurSilvana
- Date d'édition2015
- ISBN 10 8836631703
- ISBN 13 9788836631704
- ReliureBroché
- Langueanglais
- Nombre de pages144
- Coordonnées du fabricantnon disponible
(Aucun exemplaire disponible)
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