<p style="margin-left:14.15pt;"><span style="color: rgb(35,31,32);font-size: 9pt;">Carlo Scarpa (Venise, Italie, 1906-Sendai, Japon, 1978) est un architecte et designer italien.</span> <span style="color: rgb(35,31,32);font-size: 9pt;">Il a joui d’une réputation internationale, grâce à son style très personnel. C’est le plus célèbre des architectes vénitiens du XXe siècle. Dans son œuvre architecturale, Carlo Scarpa mêle les époques, les matières, les textures : ancien et moderne, pierre et métal, lisse et rugueux. Mais il met toujours en valeur les lignes, qui sont l’ossature de son œuvre. </span>
<p style="margin-left:14.15pt;"><span style="color: rgb(35,31,32);font-size: 9pt;">En effet, dans les œuvres de Carlo Scarpa, le projet architectural est tout d’abord fondé sur les contraintes structurelles. C’est la structure qui est toujours à l’origine d’un projet, et elle y gagne une expressivité singulière. Elle est toujours présente : parfois de manière subtile, quelque foisLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In Carlo Scarpa's work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.
Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.
In the course of this study, structure will be examined in several of Carlo Scarpa's works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In Carlo Scarpas work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpas works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within. Focuses specifically and in depth on the structural designs of Carlo Scarpa's architectural designs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788836656691
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Etat : NEW. Cinisello Balsamo: Silvana Editoriale, 2026 9788836656691 1528 N vol.: 1, N pag.: 232, W: 25.1, Illustr.: COL, N illustr.: 460 Carlo Scarpa used materials as if he were creating a work of art. The ones chosen for the structural elements of his projects were determined as much by practical necessities as by poetic choices, always in harmony with function, to convey a message consistent with the project, a tectonic meaning, through a play of correspondences of every kind. The architect and designer showcased structure by revealing its balance through the design of subtle devices, applied at every scale, from the building's framework to that of the exhibition spaces. In Carlo Scarpa's works, the structure is always precise and well-proportioned, without excess or superfluous additions. The details necessary to construction were also studied to meet the requirements of architectural expression, to guide, as it were, the movement of the eye. It is this discreet and refined work that I call the 'message', as it depends on the observer and their sensitivity, and may be described as a form of constructive poetry. N° de réf. du vendeur M26000396
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Hardcover. Etat : new. Hardcover. In Carlo Scarpas work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpas works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within. Focuses specifically and in depth on the structural designs of Carlo Scarpa's architectural designs. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9788836656691
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