A wide selection of works and artifacts from the collections of the Ginori Museum and the MIC Faenza stages the dialectic between creativity and the limits imposed by the material, between aesthetic re- search and scientific progress, between tradition and the changing nature of taste.
The story begins in the first half of the 18th century, when Carlo Ginori, a chemistry enthusiast, founded the factory of the same name and personally dedicated himself to researching the recipe for porcelain paste.
Retracing the events of the Ginori factory and the evolution of ceramic technique in the 18th and 19th centuries, the narrative unfolds in several sections dedicated to porcelain sculptures, the progressive enrichment of pictorial decoration up to the introduction of chromolithography and photography, with a 1737-1896 look towards the 20th century, when the newly formed Richard-Ginori would base much of its prosperity on the production of electrotechnical porcelain.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
A wide selection of works and artifacts from the collections of the Ginori Museum and the MIC Faenza stages the dialectic between creativity and the limits imposed by the material, between aesthetic re- search and scientific progress, between tradition and the changing nature of taste.
The story begins in the first half of the 18th century, when Carlo Ginori, a chemistry enthusiast, founded the factory of the same name and personally dedicated himself to researching the recipe for porcelain paste.
Retracing the events of the Ginori factory and the evolution of ceramic technique in the 18th and 19th centuries, the narrative unfolds in several sections dedicated to porcelain sculptures, the progressive enrichment of pictorial decoration up to the introduction of chromolithography and photography, with a 1737-1896 look towards the 20th century, when the newly formed Richard-Ginori would base much of its prosperity on the production of electrotechnical porcelain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Paperback. Etat : new. Paperback. A wide selection of works and artefacts from the collections of the Ginori Museum and the MIC Faenza stages the dialectic between creativity and the limits imposed by the material, between aesthetic research and scientific progress, between tradition and the changing nature of taste.The story begins in the first half of the 18th century, when Carlo Ginori, a chemistry enthusiast, founded the factory of the same name and personally dedicated himself to researching the recipe for porcelain paste.Retracing the events of the Ginori factory and the evolution of ceramic technique in the 18th and 19th centuries, the narrative unfolds in several sections dedicated to porcelain sculptures, the progressive enrichment of pictorial decoration up to the introduction of chromolithography and photography, with a 1737-1896 look towards the 20th century, when the newly formed Richard-Ginori would base much of its prosperity on the production of electrotechnical porcelain.Texts by Rita Balleri, Oliva Rucellai, Valentina Mazzotti, Sabrina Gualtieri, Rosarosa Manca.Text in English and Italian. A wide selection of works and artefacts from the collections of the Ginori Museum and the MIC Faenza. Accompanies an exhibition at MIC Faenza from 31 January to 2 June 2026. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788836663941
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Paperback. Etat : Brand New. 208 pages. 9.65x0.87x10.71 inches. In Stock. N° de réf. du vendeur __883666394X
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Etat : NEW. Cinisello Balsamo: Silvana Editoriale, 2026 9788836663941 1124 N vol.: 1, N pag.: 208, W: 24.5, Illustr.: COL + B/N, N illustr.: 260 Un'ampia selezione di opere e manufatti provenienti dalle collezioni del Museo Ginori e del MIC Faenza mette in scena la dialettica tra creatività e limiti imposti dalla materia, tra ricerca estetica e progresso scientifico, tra tradizione e mutevolezza del gusto. La storia inizia nella prima metà del Settecento, quando Carlo Ginori, appassionato di chimica, fonda l'omonima manifattura e si dedica personalmente alla ricerca della ricetta dell'impasto della porcellana. Ripercorrendo le vicende della manifattura Ginori e dell'evoluzione della tecnica ceramica nel XVIII e XIX secolo, la narrazione si snoda in diverse sezioni dedicate alle sculture in porcellana, al progressivo arricchirsi della decorazione pittorica fino all'introduzione della cromolitografia e della fotografia, con uno sguardo rivolto al XX secolo, quando la neonata Richard-Ginori fonderà gran parte della sua prosperità sulla produzione di porcellane elettrotecniche. Un'ampia selezione di opere e manufatti provenienti dalle collezioni del Museo Ginori e del MIC Faenza mette in scena la dialettica tra creatività e limiti imposti dalla materia, tra ricerca estetica e progresso scientifico, tra tradizione e mutevolezza del gusto. La storia inizia nella prima metà del Settecento, quando Carlo Ginori, appassionato di chimica, fonda l'omonima manifattura e si dedica personalmente alla ricerca della ricetta dell'impasto della porcellana. Ripercorrendo le vicende della manifattura Ginori e dell'evoluzione della tecnica ceramica nel XVIII e XIX secolo, la narrazione si snoda in diverse sezioni dedicate alle sculture in porcellana, al progressivo arricchirsi della decorazione pittorica fino all'introduzione della cromolitografia e della fotografia, con uno sguardo rivolto al XX secolo, quando la neonata Richard-Ginori fonderà gran parte della sua prosperità sulla produzione di porcellane elettrotecniche. Balleri, Rita; Rucellai, Oliva. N° de réf. du vendeur M26000684
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. A wide selection of works and artefacts from the collections of the Ginori Museum and the MIC Faenza stages the dialectic between creativity and the limits imposed by the material, between aesthetic research and scientific progress, between tradition and the changing nature of taste.The story begins in the first half of the 18th century, when Carlo Ginori, a chemistry enthusiast, founded the factory of the same name and personally dedicated himself to researching the recipe for porcelain paste.Retracing the events of the Ginori factory and the evolution of ceramic technique in the 18th and 19th centuries, the narrative unfolds in several sections dedicated to porcelain sculptures, the progressive enrichment of pictorial decoration up to the introduction of chromolithography and photography, with a 1737-1896 look towards the 20th century, when the newly formed Richard-Ginori would base much of its prosperity on the production of electrotechnical porcelain.Texts by Rita Balleri, Oliva Rucellai, Valentina Mazzotti, Sabrina Gualtieri, Rosarosa Manca.Text in English and Italian. N° de réf. du vendeur LU-9788836663941
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Vendeur : EDITORIALE UMBRA SAS, Foligno, PG, Italie
Etat : Nuovo. Bross., cm 27 x 24, pp 207, tavv, e ill. a col.Testo Italiano-Inglese. - ISBN: 9788836663941. N° de réf. du vendeur 102703
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