Il catalogo della mostra "Un'altra immagine" di Luciano Rigolini presenta il lavoro recente dell'artista fotografo, che è costituito da una serie di immagini di diversa natura. Immagini anonime, documenti fotografici e polaroid amatoriali a colori, che l'artista colleziona da anni. Queste fotografie, rielaborate digitalmente e attraverso specifici procedimenti di stampa, di grande formato, assurgono così a una dimensione estetica che interroga le nostre modalità di percezione dell'immagine. L'opera di Rigolini, soprattutto negli sviluppi recenti, si presta in modo ideale ad una riflessione sui rapporti tra fotografia e pittura e sulla specificità del mezzo fotografico. Il catalogo comprende 30 fotografie, tra cui 18 a colori, e un testo critico di Quentin Bajac, conservatore capo del dipartimento di fotografia del Centro Pompidou di Parigi.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Il catalogo della mostra "Un'altra immagine" di Luciano Rigolini presenta il lavoro recente dell'artista fotografo, che è costituito da una serie di immagini di diversa natura. Immagini anonime, documenti fotografici e polaroid amatoriali a colori, che l'artista colleziona da anni. Queste fotografie, rielaborate digitalmente e attraverso specifici procedimenti di stampa, di grande formato, assurgono così a una dimensione estetica che interroga le nostre modalità di percezione dell'immagine. L'opera di Rigolini, soprattutto negli sviluppi recenti, si presta in modo ideale ad una riflessione sui rapporti tra fotografia e pittura e sulla specificità del mezzo fotografico. Il catalogo comprende 30 fotografie, tra cui 18 a colori, e un testo critico di Quentin Bajac, conservatore capo del dipartimento di fotografia del Centro Pompidou di Parigi.
The first complete monograph devoted to Luciano Rigolini’s photography. This volume offers a wealth of previously unpublished large-format works, a reinterpretation of anonymous photographs, and documents uncovered in forgotten archives, flea markets, or purchased from antique dealers.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur 56409b9f269e839c79e9415212ed538e
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. The first complete monograph devoted to Luciano Rigolini's photography Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. Between 1990 and 2002 he photographed the urban landscapes and architectural details of European and American cities. These black and white images are uniform in size (140 x 140 cm), and immediately reveal their aesthetic and conceptual roots in the historical avant-garde, especially constructivism and German objectivity. At the same time he began to collect vintage stereoscopic plates, nineteenth century photographic prints and anonymous amateur images dating from the eighties of last century. A synthesis of these elements gave rise to an exhibition entitled La forma dello sguardo held in Spring 2001 at the Museo Cantonale d'Arte in Lugano; a substantial catalogue was also published. This was followed in 2008 by the exhibition Fotostiftung Schweiz di Winterthur "What you see", which was centred around anonymous works by 107 amateur photographers. This new work focuses in particular on the relationship between photography, painting and the role played by digital technology. Among other things, it presents a wealth of hitherto unpublished large format works, a reinterpretation of anonymous photographs and documents uncovered in forgotten archives, at flea markets or purchased from antique dealers or on the Internet. These images, originally created with no artistic pretensions, restored or re-elaborated using specific digital processes and printed in large format, reveal surprising sculptural, pictorial and formal qualities. N° de réf. du vendeur LU-9788857213330
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 80 29 Illus. (19 Col.). N° de réf. du vendeur 49808803
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. bilingual edition. 79 pages. Italian language. 9.25x9.75x0.50 inches. In Stock. N° de réf. du vendeur __8857213331
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. This title deals with his works. Editor(s): Rigolini, Luciano; Ossanna Cavadini, Nicoletta. Num Pages: 80 pages, 29 illustrations, 19 in colour. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 241 x 242 x 11. Weight in Grams: 472. . 2012. Bilingual. paperback. . . . . N° de réf. du vendeur V9788857213330
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. pp. 80. N° de réf. du vendeur 1842973814
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Vendeur : libreriauniversitaria.it, Occhiobello, RO, Italie
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Vendeur : Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italie
Brossura. Etat : new. A cura di Ossanna Cavadini N. e Rigolini L.Chiasso, Centro Culturale - Spazio Officina, 26 ottobre - 8 dicembre 2011.Testo Italiano e Inglese.Milano, 2012; br., pp. 80, ill. b/n e col., cm 24x24.(Fotografia). The first complete monograph devoted to Luciano Rigolini's photography Alongside his work in cinema and documentary, Luciano Rigolini has also carried out intense and rigorous research in the field of photography. Between 1990 and 2002 he photographed the urban landscapes and architectural details of European and American cities. These black and white images are uniform in size (140 x 140 cm), and immediately reveal their aesthetic and conceptual roots in the historical avant-garde, especially constructivism and German objectivity. At the same time he began to collect vintage stereoscopic plates, nineteenth century photographic prints and anonymous amateur images dating from the eighties of last century. A synthesis of these elements gave rise to an exhibition entitled La forma dello sguardo held in Spring 2001 at the Museo Cantonale dArte in Lugano; a substantial catalogue was also published. This was followed in 2008 by the exhibition Fotostiftung Schweiz di Winterthur What you see, which was centred around anonymous works by 107 amateur photographers. This new work focuses in particular on the relationship between photography, painting and the role played by digital technology. Among other things, it presents a wealth of hitherto unpublished large format works, a reinterpretation of anonymous photographs and documents uncovered in forgotten archives, at flea markets or purchased from antique dealers or on the Internet. These images, originally created with no artistic pretensions, restored or re-elaborated using specific digital processes and printed in large format, reveal surprising sculptural, pictorial and formal qualities. Libro. N° de réf. du vendeur 2411369
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