Like seventeenth century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Jessica Todd Harper looks for the worth in everyday moments. The characters in her imagery are the people around her- her friends, herself, family- but it is not so much they who are important as the way in which they are organized and lit. A woman helping her child practice the piano is not a particularly sacred moment but as in a Vermeer painting, the way the composition and lighting influence the content suggests that perhaps it is.
Most of the time everyday scenes don’t mean anything to us- in fact, it is a modern truism that we seek to be distracted from them. We scroll through our phones rather than be alone with our thoughts, our selves or even our families. This collection of photographs makes use of what is right in front of me, what is here, a place that many of us came to contemplate especially during the pandemic. Beauty, goodness and truth can reveal themselves in daily life, much like in Kant’s notion of the Sublime or simply in the Dutch paintings of everyday domestic scenes that are somehow lit up with purport. Our unexamined or even boring surroundings can sometimes be illuminating.
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Photographer Jessica Todd Harper uses portraiture to explore the subtle tensions within daily family interactions and the complexity of human relationships. Her work is grounded in art historical tradition, but with a psychological undercurrent that marks its modernity. A silver medalist in the Prix de la Photographie in Paris (2014), she was an Outwin Boochever Portrait Competition prizewinner (2016) and selected that same year for the Taylor Wessing Portrait competition at the National Portrait Gallery in London. Her work will be significantly represented in Kinship, opening at the Smithosonian's National Portrait Gallery in late 2022, and running until 2024. Harper has published two prize-winning books of photography, Interior Exposure(2008) and The Home Stage (2014), both published by Damiani.
Like seventeenth century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Jessica Todd Harper looks for the worth in everyday moments. The characters in her imagery are the people around her- her friends, herself, family- but it is not so much they who are important as the way in which they are organized and lit. A woman helping her child practice the piano is not a particularly sacred moment but as in a Vermeer painting, the way the composition and lighting influence the content suggests that perhaps it is.
Most of the time everyday scenes don’t mean anything to us- in fact, it is a modern truism that we seek to be distracted from them. We scroll through our phones rather than be alone with our thoughts, our selves or even our families. This collection of photographs makes use of what is right in front of me, what is here, a place that many of us came to contemplate especially during the pandemic. Beauty, goodness and truth can reveal themselves in daily life, much like in Kant’s notion of the Sublime or simply in the Dutch paintings of everyday domestic scenes that are somehow lit up with purport. Our unexamined or even boring surroundings can sometimes be illuminating.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M8862087721Z3
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Hardcover. Etat : new. Hardcover. "A 'wrong' family moment that is full of truth."Like seventeenth century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Jessica Todd Harper looks for the worth in everyday moments. The characters in her imagery are the people around her- her friends, herself, family- but it is not so much they who are important as the way in which they are organized and lit. A woman helping her child practice the piano is not a particularly sacred moment but as in a Vermeer painting, the way the composition and lighting influence the content suggests that perhaps it is.Most of the time everyday scenes don't mean anything to us- in fact, it is a modern truism that we seek to be distracted from them. We scroll through our phones rather than be alone with our thoughts, our selves or even our families. This collection of photographs makes use of what is right in front of me, what is here, a place that many of us came to contemplate especially during the pandemic. Beauty, goodness and truth can reveal themselves in daily life, much like in Kant's notion of the Sublime or simply in the Dutch paintings of everyday domestic scenes that are somehow lit up with purport. Our unexamined or even boring surroundings can sometimes be illuminating. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788862087728
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Vendeur : Studio Bibliografico Marini, ROMA, RM, Italie
hardcover. Etat : As New. Prima edizione (First Edition). Testo di Bo Bartlett. Intervista di Russ Roberts alla fotografa. 50 fotografie a colori di Jessica Todd Harper. Alcune illustrazioni . 8vo (cm 25x29). pp. 124. . Perfetto (Mint). . Prima edizione (First Edition). . Since the middle of the 17th century, Flemish painters have made scenic composition and the use of light their stylistic features in order to emancipate the ordinariness of the scenes portrayed and give them, instead, the sacredness of the everyday. American photographer Jessica Todd Harper has made this lesson her own and in the shots collected in 'Here' presents scenes from her own family life that emphasise the delicate elegance of small gestures made all the more precious by the experience of the pandemic. Dalla metà del '600 i pittori fiamminghi hanno fatto della composizione scenica e dell'uso della luce le cifre stilistiche per emancipare l'ordinarietà delle scene ritratte e conferire a tali opere, invece, la sacralità del quotidiano. La fotografa americana Jessica Todd Harper ha fatto sua questa lezione e negli scatti raccolti in 'Here' presenta scene tratte dalla propria vita familiare che enfatizzano la delicata eleganza dei piccoli gesti resi tanto più preziosi dall'esperienza della pandemia. Book. N° de réf. du vendeur bc_231761
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Hardcover. Etat : new. Hardcover. "A 'wrong' family moment that is full of truth." Like seventeenth century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Jessica Todd Harper looks for the worth in everyday moments. The characters in her imagery are the people around her- her friends, herself, family- but it is not so much they who are important as the way in which they are organized and lit. A woman helping her child practice the piano is not a particularly sacred moment but as in a Vermeer painting, the way the composition and lighting influence the content suggests that perhaps it is.Most of the time everyday scenes don't mean anything to us- in fact, it is a modern truism that we seek to be distracted from them. We scroll through our phones rather than be alone with our thoughts, our selves or even our families. This collection of photographs makes use of what is right in front of me, what is here, a place that many of us came to contemplate especially during the pandemic. Beauty, goodness and truth can reveal themselves in daily life, much like in Kant's notion of the Sublime or simply in the Dutch paintings of everyday domestic scenes that are somehow lit up with purport. Our unexamined or even boring surroundings can sometimes be illuminating. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9788862087728
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Etat : New. Über den AutorrnrnPhotographer Jessica Todd Harper uses portraiture to explore the subtle tensions within daily family interactions and the complexity of human relationships. Her work is grounded in art historical tradition, but with a psyc. N° de réf. du vendeur 578961798
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Hardcover. Etat : new. Hardcover. "A 'wrong' family moment that is full of truth." Like seventeenth century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Jessica Todd Harper looks for the worth in everyday moments. The characters in her imagery are the people around her- her friends, herself, family- but it is not so much they who are important as the way in which they are organized and lit. A woman helping her child practice the piano is not a particularly sacred moment but as in a Vermeer painting, the way the composition and lighting influence the content suggests that perhaps it is.Most of the time everyday scenes don't mean anything to us- in fact, it is a modern truism that we seek to be distracted from them. We scroll through our phones rather than be alone with our thoughts, our selves or even our families. This collection of photographs makes use of what is right in front of me, what is here, a place that many of us came to contemplate especially during the pandemic. Beauty, goodness and truth can reveal themselves in daily life, much like in Kant's notion of the Sublime or simply in the Dutch paintings of everyday domestic scenes that are somehow lit up with purport. Our unexamined or even boring surroundings can sometimes be illuminating. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9788862087728
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Buch. Etat : Neu. Neuware - 'A 'wrong' family moment that is full of truth.'>Most of the time everyday scenes don't mean anything to us- in fact, it is a modern truism that we seek to be distracted from them. We scroll through our phones rather than be alone with our thoughts, our selves or even our families. This collection of photographs makes use of what is right in front of me, what is here, a place that many of us came to contemplate especially during the pandemic. Beauty, goodness and truth can reveal themselves in daily life, much like in Kant's notion of the Sublime or simply in the Dutch paintings of everyday domestic scenes that are somehow lit up with purport. Our unexamined or even boring surroundings can sometimes be illuminating. N° de réf. du vendeur 9788862087728
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