Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze and strategies of indeterminacy.
Every aspect of the book's design, including its more than 170 color illustrations, is conceived to reflect on the artist's haptic, indexical painterly approach and his oversize scale system.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tom Wesselmann (Cincinnati, 1931 - New York, 2004) est l'un des principaux représentants du Pop Art américain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK. N° de réf. du vendeur M8867493442Z2
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Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK. N° de réf. du vendeur M8867493442Z3
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, curated by Chris Sharp with the scientific coordination of Cristiano Raimondi, held at Villa Paloma in Monaco June 29, 2018, through January 6, 2019, this catalogue is a critical overview of a key American Pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Every aspect of the books design, including its more than 170 color illustrations, is conceived to reflect on the artists haptic, indexical painterly approach and oversize scale system.Through Steven Marcuss concept of pornotopia and the perspective of economy and abundance in postwar American society, the critical essay by Chris Sharp examines Wesselmanns depictions of the sexual, developed formally in the works by means of hyperbole, hierarchies of elements, elision, and omission. The second critical essay by Sabrina Tarasoff leverages Julian Wassers iconic 1963 photograph Duchamp Playing Chess with a Nude, the 1969 breast action during one of Theodor W. Adornos classes, and more to deliberate the intentional in-betweenness in Wesselmanns work, interest as a category preceding definition, semantic versus formal dimensions, and midcentury sensibilities regarding masculinity and female empowerment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788867493449
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Paperback. Etat : New. Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, curated by Chris Sharp with the scientific coordination of Cristiano Raimondi, held at Villa Paloma in Monaco June 29, 2018, through January 6, 2019, this catalogue is a critical overview of a key American Pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Every aspect of the book's design, including its more than 170 color illustrations, is conceived to reflect on the artist's haptic, indexical painterly approach and oversize scale system. Through Steven Marcus's concept of "pornotopia" and the perspective of economy and abundance in postwar American society, the critical essay by Chris Sharp examines Wesselmann's depictions of the sexual, developed formally in the works by means of hyperbole, hierarchies of elements, elision, and omission. The second critical essay by Sabrina Tarasoff leverages Julian Wasser's iconic 1963 photograph Duchamp Playing Chess with a Nude, the 1969 "breast action" during one of Theodor W. Adorno's classes, and more to deliberate the intentional in-betweenness in Wesselmann's work, "interest" as a category preceding definition, semantic versus formal dimensions, and midcentury sensibilities regarding masculinity and female empowerment. N° de réf. du vendeur LU-9788867493449
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur GZ-9788867493449
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 228. N° de réf. du vendeur 380396617
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur GZ-9788867493449
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