Chronicling the history of a Milanese gallery through the works of a leading postwar painter
This is the second installation of Fondazione Marconi's editorial project documenting the Milanese gallery's own history. This volume examines the work of Italian postwar painter Emilio Tadini (1927-2002), who was inspired by Surrealism and Pop art.
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Paperback. Etat : new. Paperback. Emilio Tadini: The Reality of the Image 19681972 is Fondazione Marconis second chapter of a broader editorial project dedicated to the study, documentation, and mediation of the history and cultural heritage of this Milanese gallery, and the numerous personalities that have crossed its path. Created with the involvement of prominent figures in the international artistic and curatorial panorama, careful research in archives, and historical reconstruction, the project complements the foundations other promotional activities by which it seeks to tell this story, with particular attention to a transversal audience both geographically and generationally. In Emilio Tadini: The Reality of the Image 19681972 an unpublished manuscript by Tadini, consisting of forty-three pages of hole-punched graph paperon which the artist wrote notes relating to the execution of his paintings, ideas for future works and titles for new series, act as a starting point for a larger study of his position in the early post-war cultural debate, through an essay by Francesco Guzzetti (editor of the publication), and a large documentation of paintings, photographic studies, drawing and collages.Edited by Fondazione Marconi, Gio Marconi, Alberto SalvadoriTexts by Francesco Guzzetti, Emilio Tadini Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788867494798
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Vendeur : Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italie
Brossura. Etat : new. English Text. Milano, 2021; paperback, pp. 202, b/w and col. ill., b/w and col. plates, cm 22,5x28,5. Emilio Tadini: The Reality of the Image 1968-1972 is Fondazione Marconi's second chapter of a broader editorial project dedicated to the study, documentation, and mediation of the history and cultural heritage of this Milanese gallery, and the numerous personalities that have crossed its path. Created with the involvement of prominent figures in the international artistic and curatorial panorama, careful research in archives, and historical reconstruction, the project complements the foundation's other promotional activities by which it seeks to tell this story, with particular attention to a transversal audience both geographically and generationally. In Emilio Tadini: The Reality of the Image 1968-1972 an unpublished manuscript by Tadini, consisting of forty-three pages of hole-punched graph paper-on which the artist wrote notes relating to the execution of his paintings, ideas for future works and titles for new series-, act as a starting point for a larger study of his position in the early post-war cultural debate, through an essay by Francesco Guzzetti (editor of the publication), and a large documentation of paintings, photographic studies, drawing and collages. Libro. N° de réf. du vendeur 3871073
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Paperback. Etat : Brand New. 202 pages. 11.25x8.75x0.67 inches. In Stock. N° de réf. du vendeur x-8867494791
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Etat : New. KlappentextChronicling the history of a Milanese gallery through the works of a leading postwar painterThis is the second installation of Fondazione Marconi s editorial project documenting the Milanese gallery . N° de réf. du vendeur 590058235
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Paperback. Etat : new. Paperback. Emilio Tadini: The Reality of the Image 19681972 is Fondazione Marconis second chapter of a broader editorial project dedicated to the study, documentation, and mediation of the history and cultural heritage of this Milanese gallery, and the numerous personalities that have crossed its path. Created with the involvement of prominent figures in the international artistic and curatorial panorama, careful research in archives, and historical reconstruction, the project complements the foundations other promotional activities by which it seeks to tell this story, with particular attention to a transversal audience both geographically and generationally. In Emilio Tadini: The Reality of the Image 19681972 an unpublished manuscript by Tadini, consisting of forty-three pages of hole-punched graph paperon which the artist wrote notes relating to the execution of his paintings, ideas for future works and titles for new series, act as a starting point for a larger study of his position in the early post-war cultural debate, through an essay by Francesco Guzzetti (editor of the publication), and a large documentation of paintings, photographic studies, drawing and collages.Edited by Fondazione Marconi, Gio Marconi, Alberto SalvadoriTexts by Francesco Guzzetti, Emilio Tadini Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9788867494798
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