Cette publication, conçue par le musée Madre, est plus qu’un simple livre ; c’est un livre d’artiste dans lequel Anri Sala dialogue avec l’œuvre picturale d’Edi Hila. Comme le souligne Eva Fabbris, directrice du musée Madre, dans son bref essai, Sala aborde l’œuvre de Hila d’une manière à la fois contemplative et cinématographique, laissant la conscience historique et politique que partagent les deux artistes émerger progressivement à travers l’enchaînement des images.
Nés en Albanie à trente ans d’intervalle, Hila et Sala partagent non seulement une géographie, mais aussi une condition historique. Tous deux ont été formés à l’Académie des Beaux-Arts de Tirana ― Hila en tant qu’étudiant puis professeur, et Sala en tant que membre de la génération qui a découvert l’institution à l’aube de l’effondrement du régime. Si les débuts de la carrière de Hila se sont déroulés sous les contraintes du réalisme socialiste et d’une censure directe, ceux de Sala ont commencé dans le vide qui a suivi sa dissolution.
Sala interprète les transformations qui ont marqué l’Europe de l’Est – et qui transparaissent dans les peintures de Hila – comme des conditions pouvant également être comprises en termes plus larges, voire universels. Ce récit se déploie à travers des vues d’ensemble et des détails choisis, photographiés sous la direction de Sala. Le « fil conducteur » de l’ouvrage est l’évolution de la lumière. C’est comme si l’ensemble de la publication se déroulait en une seule journée – mais une journée dont le temps a été inversé. Elle commence la nuit et remonte à travers le crépuscule, la fin d’après-midi, le début d’après-midi, le milieu de la journée, la fin de la matinée, le début de la matinée, jusqu’au lever du soleil, accomplissant ainsi un cycle complet et inversé.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Figure majeure de la scène balkanique, Edi Hila (né en 1944 à Shkodër, Albanie, vit et travaille à Tirana) témoigne des profonds changements vécus par les sociétés postcommunistes européennes. Il développe un travail de réflexion sur la nature transitoire de l'histoire de son pays, l'Albanie (frontière naturelle entre occident et orient), et sur la position de la peinture albanaise dans l'histoire de l'art méditerranéenne.
Depuis 1991, Edi Hila enseigne la peinture à l'Académie des Arts de Tirana où il forma notamment des artistes comme Adrian Paci et Anri Sala. Il a bénéficié de rétrospectives notammentau Musée d'Art Modernen de Varsovie, à la National Gallery of Arts de Tirana et à la Sécession de Vienne. Il a participé à de nombreuses autres expositions internationales telles que la Biennale de Venise (1999), After the Wall au Moderna Museet à Stockholm (1999), au Hamburger Bahnhof à Berlin et au Ludwig Museum à Budapest (2000), Blood and Honey, The Future's Balkan sous le commissariat de Harald Szeeman au Essl Museum à Vienne (2003), la Biennale de Liverpool (2010) ou encore la documenta de Cassel et Athènes (2017). Ses œuvres sont présentes dans les collections du Musée national d'art Moderne - Centre Pompidou, du FRAC Pays de la Loire, du FRAC Auvergne, du Fonds Municipal de la ville de Paris, de la Neue Gallery à Cassel, du Musée d'Art Moderne de Varsovie et du Van Abbemuseum à Eindhoven.
Figure majeure de la scène balkanique, Edi Hila (né en 1944 à Shkodër, Albanie, vit et travaille à Tirana) témoigne des profonds changements vécus par les sociétés postcommunistes européennes. Il développe un travail de réflexion sur la nature transitoire de l'histoire de son pays, l'Albanie (frontière naturelle entre occident et orient), et sur la position de la peinture albanaise dans l'histoire de l'art méditerranéenne.
Depuis 1991, Edi Hila enseigne la peinture à l'Académie des Arts de Tirana où il forma notamment des artistes comme Adrian Paci et Anri Sala. Il a bénéficié de rétrospectives notammentau Musée d'Art Modernen de Varsovie, à la National Gallery of Arts de Tirana et à la Sécession de Vienne. Il a participé à de nombreuses autres expositions internationales telles que la Biennale de Venise (1999), After the Wall au Moderna Museet à Stockholm (1999), au Hamburger Bahnhof à Berlin et au Ludwig Museum à Budapest (2000), Blood and Honey, The Future's Balkan sous le commissariat de Harald Szeeman au Essl Museum à Vienne (2003), la Biennale de Liverpool (2010) ou encore la documenta de Cassel et Athènes (2017). Ses œuvres sont présentes dans les collections du Musée national d'art Moderne - Centre Pompidou, du FRAC Pays de la Loire, du FRAC Auvergne, du Fonds Municipal de la ville de Paris, de la Neue Gallery à Cassel, du Musée d'Art Moderne de Varsovie et du Van Abbemuseum à Eindhoven.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. The sequence of images across these pageswhich I conceived as a traveling shot across the dimension of transitionshares a single cursor. No matter where each image appears to lead us or where our imagination drifts, what unifies them is the evolution of light. It is as if the entire book unfolded during a single day. But it is a day whose time has been reversed. Anri SalaThis publication, conceived by museo Madre, is more than a simple book; it is an artists book in which Anri Sala interacts with the corpus of paintings by Edi Hila. As Eva Fabbris, the Director of museo Madre, points out in her brief essay, Sala engages Hilas work in a contemplative and cinematic way, allowing the historical and political consciousness the two share to surface gradually through the sequencing of images.Born thirty years apart in Albania, Hila and Sala share not only a geography but a historical condition. Both were formed at the Academy of Arts in TiranaHila as a student and later a professor, and Sala as part of the generation that encountered the institution at the threshold of the regimes collapse. If Hilas early career unfolded under the strictures of Socialist Realism and direct censorship, Salas began in the vacuum that followed its dissolution.Sala reads the transformations that have marked Eastern Europeemerging through Hilas paintingsas conditions that may also be understood in broader, even universal terms. This narration unfolds through both full views and selected details, photographed under Salas direction. The guiding cursor of the book is the evolution of light. It is as if the entire publication takes place within a single dayyet a day whose time has been reversed. It begins at night and retreats through dusk, late afternoon, early afternoon, high noon, late morning, early morning, until sunrise, completing a full, inverted cycle. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788867497423
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Cartonato. Etat : new. A cura di Anri Sala. Testi di Riccardo Venturi, Anri Sala e Eva Fabbris. Testo Italiano e Inglese. Milano, 2026; cartonato, pp. 208, ill. col., cm 16,8x22. This publication, conceived by museo Madre, is more than a simple book; it is an artists' book in which Anri Sala interacts with the corpus of paintings by Edi Hila. As Eva Fabbris, the Director of museo Madre, points out in her brief essay, Sala engages Hila's work in a contemplative and cinematic way, allowing the historical and political consciousness the two share to surface gradually through the sequencing of images. Born thirty years apart in Albania, Hila and Sala share not only a geography but a historical condition. Both were formed at the Academy of Arts in Tirana-Hila as a student and later a professor, and Sala as part of the generation that encountered the institution at the threshold of the regime's collapse. If Hila's early career unfolded under the strictures of Socialist Realism and direct censorship, Sala's began in the vacuum that followed its dissolution. Libro. N° de réf. du vendeur 4250213
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Hardcover. Etat : new. Hardcover. The sequence of images across these pageswhich I conceived as a traveling shot across the dimension of transitionshares a single cursor. No matter where each image appears to lead us or where our imagination drifts, what unifies them is the evolution of light. It is as if the entire book unfolded during a single day. But it is a day whose time has been reversed. Anri SalaThis publication, conceived by museo Madre, is more than a simple book; it is an artists book in which Anri Sala interacts with the corpus of paintings by Edi Hila. As Eva Fabbris, the Director of museo Madre, points out in her brief essay, Sala engages Hilas work in a contemplative and cinematic way, allowing the historical and political consciousness the two share to surface gradually through the sequencing of images.Born thirty years apart in Albania, Hila and Sala share not only a geography but a historical condition. Both were formed at the Academy of Arts in TiranaHila as a student and later a professor, and Sala as part of the generation that encountered the institution at the threshold of the regimes collapse. If Hilas early career unfolded under the strictures of Socialist Realism and direct censorship, Salas began in the vacuum that followed its dissolution.Sala reads the transformations that have marked Eastern Europeemerging through Hilas paintingsas conditions that may also be understood in broader, even universal terms. This narration unfolds through both full views and selected details, photographed under Salas direction. The guiding cursor of the book is the evolution of light. It is as if the entire publication takes place within a single dayyet a day whose time has been reversed. It begins at night and retreats through dusk, late afternoon, early afternoon, high noon, late morning, early morning, until sunrise, completing a full, inverted cycle. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9788867497423
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Hardcover. Etat : new. Hardcover. The sequence of images across these pageswhich I conceived as a traveling shot across the dimension of transitionshares a single cursor. No matter where each image appears to lead us or where our imagination drifts, what unifies them is the evolution of light. It is as if the entire book unfolded during a single day. But it is a day whose time has been reversed. Anri SalaThis publication, conceived by museo Madre, is more than a simple book; it is an artists book in which Anri Sala interacts with the corpus of paintings by Edi Hila. As Eva Fabbris, the Director of museo Madre, points out in her brief essay, Sala engages Hilas work in a contemplative and cinematic way, allowing the historical and political consciousness the two share to surface gradually through the sequencing of images.Born thirty years apart in Albania, Hila and Sala share not only a geography but a historical condition. Both were formed at the Academy of Arts in TiranaHila as a student and later a professor, and Sala as part of the generation that encountered the institution at the threshold of the regimes collapse. If Hilas early career unfolded under the strictures of Socialist Realism and direct censorship, Salas began in the vacuum that followed its dissolution.Sala reads the transformations that have marked Eastern Europeemerging through Hilas paintingsas conditions that may also be understood in broader, even universal terms. This narration unfolds through both full views and selected details, photographed under Salas direction. The guiding cursor of the book is the evolution of light. It is as if the entire publication takes place within a single dayyet a day whose time has been reversed. It begins at night and retreats through dusk, late afternoon, early afternoon, high noon, late morning, early morning, until sunrise, completing a full, inverted cycle. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9788867497423
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Buch. Etat : Neu. Neuware - Through interacting with Edi Hila's paintings, Anri Sala contemplates the artist's and his own shared historical and political consciousnessIn this unique publication, Albanian contemporary artist Anri Sala directly engages with the work of his fellow countryman, Edi Hila (born 1944). Sala reads the transformations that have marked Eastern Europe--emerging through Hila's paintings--as conditions that may also be understood in broader, even universal terms. N° de réf. du vendeur 9788867497423
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