Montage, today, is a widespread procedure that doesn't concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive contemporary media places at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and politic connotations of montage; and to ask ourselves whether - in comparison to the heroic years of the first avant-gardes - montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogram the world, especially in relation to the technical possibilities offered by new media and remix practices.
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Cristina Baldacci, PhD in Contemporary Art History and Theory, was postdoctoral researcher at Università Iuav di Venezia, and is currently fellow at ICI Berlin. She is also a curator of exhibitions and a critic for art magazines. Her research interests focus on the archive and atlas as visual forms of knowledge; montage and reenactment strategies; contemporary sculpture and installation art; art and new media. She recently released the monograph 'Archivi impossibili. Un'ossessione dell'arte contemporanea (2016).
Marco Bertozzi is Professor of Documentary and Experimental Cinema at Università Iuav di Venezia and filmmaker. He has published numerous studies on documentary cinema and the relationships between cinema, architecture, and the city. His latest books are: Storia del documentario italiano (2008); Recycled Cinema (2012); Documentario come Arte. Riuso, performance, autobiografia nell'esperienza del cinema contemporaneo (2018). As a filmmaker, Bertozzi has directed, among others, Roman Notes (2004), Predappio in luce (2008) and Cinema grattacielo (2017).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italie
Brossura. Etat : new. Prefazione di Angela Vettese. Sesto San Giovanni, 2018; br., pp. 254, ill., cm 14x21. (Cinema and Contemporary Art). Libro. N° de réf. du vendeur 3358523
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Vendeur : Art-Cura Studios, Ostrhauderfehn, NI, Allemagne
Soft cover. Etat : Fine. 1st Edition. Condition: Fine, unread, and excellent book, all pages and cover are excellent with no markings, no tears. Language: English, one chapter in French. no. 4 from the book series "CINEMA: Cinema and Contemporary Art", edited by Simone Dotto, Vincenzo Estremo and Francesco Federici. // Montage today is a widespread procedure that concerns not only artistic production but also our daily lives and the way everyone uses the vast visual archive that contemporary media places at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage and to ask ourselves whether, in comparison to the heroic years of the first avant-gardes, montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogram the world, especially in relation to the technical possibilities offered by new media and remix practices. // 250 pages; format: 21,0 x 14,0 x 1,5 cm; Bookweight: 380 g. N° de réf. du vendeur ART-26159
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 250 pages. 8.25x5.50x0.75 inches. In Stock. N° de réf. du vendeur __8869771024
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 131525
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