As early as 1839, the reproduction of art works was regarded as a primary subject for photography. Far from being neglected by the pioneer photographers, it was a major stake for the most talented among them, from William Fox Talbot to Gustave Le Gray, Charles Marville and Pierre-Ambroise Richebourg. The marketing of photographic reproductions of art works from the 1850s onwards played a key role in the history of taste. A study of this genre long overlooked by historians proves to be highly rewarding.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Dominique de Font-Reauix is a curator at the Musee d'Orsay and head of the photography section. She teaches at the Ecole du Louvre.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. As early as 1839, the reproduction of art works was regarded as a primary subject for photography. Far from being neglected by the pioneer photographers, it was a major stake for the most talented among them, from William Fox Talbot to Gustave Le Gray, Charles Marville and Pierre-Ambroise Richebourg. The marketing of photographic reproductions of art works from the 1850s onwards played a key role in the history of taste. A study of this genre long overlooked by historians proves to be highly rewarding. N° de réf. du vendeur 00105364152
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Vendeur : Hawking Books, Edgewood, TX, Etats-Unis
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8874393261I4N00
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Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G8874393261I3N00
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Vendeur : Amazing Books Pittsburgh, Pittsburgh, PA, Etats-Unis
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. As early as 1839, the reproduction of art works was regarded as a primary subject for photography. Far from being neglected by the pioneer photographers, it was a major stake for the most talented among them, from William Fox Talbot to Gustave Le Gray, Charles Marville and Pierre-Ambroise Richebourg. The marketing of photographic reproductions of art works from the 1850s onwards played a key role in the history of taste. A study of this genre long overlooked by historians proves to be highly rewarding. N° de réf. du vendeur CIN8874393261A
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 4300614-6
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Vendeur : AVON HILL BOOKS, Cambridge, MA, Etats-Unis
Softcover. Etat : Fine. Sepia and some color photos. ; 16mo 6" - 7" tall; 96 pp; Photography At The Mus? E D'orsay. N° de réf. du vendeur 42573
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. Art and its Photographic Reproduction presents a selection of photographs, ranging from daguerreo types to auto chromes, from the collection of the Musee d'Orsay, Paris. N° de réf. du vendeur 90628
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