French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. After moving to Argenteuil, a small town on the outskirts of Paris, Monet was drawn to the local footbridge near his house on the banks of the Seine. His painting of it, The Wooden Bridge, 1872, is a composition of startling modernity. The book begins with this work and explores Monet's use of the bridge motif from 1872 to 1877 in the aftermath of the Franco-Prussian war and beyond.
Beautifully illustrated and published to accompany a major exhibition, the book explores how Monet sought to establish himself as a leader of the avant-garde and how his paintings of bridges played a pivotal role in this context. Focusing on twelve major paintings by Monet, the catalogue further examines the Impressionists' response to their ever-changing environment and the late nineteenth-century transformation of Paris and its suburbs. The publication consists of three sections featuring three essays followed by an illustrated chronology: Monet's use of the bridge as a testing ground for his innovative ideas, the role of photography, illustrations, and contemporary influences; the expansion of Paris and the urban cityscape; the role of Impressionism in the context of the Franco-Prussian war.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anabelle Kienle Ponka is Associate Curator, European and American Art, at the National Gallery of Canada. Simon Kelly is Curator of Modern and Contemporary Art at the Saint Louis Art Museum, Missouri. Richard Thomson is the Watson Gordon Professor of Fine Art at the University of Edinburgh.
French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. After moving to Argenteuil, a small town on the outskirts of Paris, Monet was drawn to the local footbridge near his house on the banks of the Seine. His painting of it, The Wooden Bridge, 1872, is a composition of startling modernity. The book begins with this work and explores Monet's use of the bridge motif from 1872 to 1877 in the aftermath of the Franco-Prussian war and beyond.
Beautifully illustrated and published to accompany a major exhibition, the book explores how Monet sought to establish himself as a leader of the avant-garde and how his paintings of bridges played a pivotal role in this context. Focusing on twelve major paintings by Monet, the catalogue further examines the Impressionists' response to their ever-changing environment and the late nineteenth-century transformation of Paris and its suburbs. The publication consists of three sections featuring three essays followed by an illustrated chronology: Monet's use of the bridge as a testing ground for his innovative ideas, the role of photography, illustrations, and contemporary influences; the expansion of Paris and the urban cityscape; the role of Impressionism in the context of the Franco-Prussian war.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination,during the 1870s, with bridges. Editor(s): Ponka, Anabelle Kienle. Num Pages: 84 pages, 47 colour illustrations. BIC Classification: ACVT; AFC; AGB. Category: (G) General (US: Trade). Dimension: 261 x 311 x 16. Weight in Grams: 956. . 2019. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur 9788874397198
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination,during the 1870s, with bridges. Editor(s): Ponka, Anabelle Kienle. Num Pages: 84 pages, 47 colour illustrations. BIC Classification: ACVT; AFC; AGB. Category: (G) General (US: Trade). Dimension: 261 x 311 x 16. Weight in Grams: 956. . 2019. hardcover. . . . . N° de réf. du vendeur 9788874397198
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Vendeur : CMG Books and Art, Toronto, ON, Canada
hardcover. Etat : As New. Catalogue of an exhibition at the National Gallery of Canada. Decorative hardcover, no dust jacket as issued. U.S. orders are shipped from N.Y. state. N° de réf. du vendeur 068175
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Fine. 1st. Pictorial boards, 101 pages, illustrations (chiefly colour); 26 x 31 cm. Text in English and French. Published in conjunction with the exhibition at National Gallery of Canada, Ottawa, 30 October 2015 to 15 February 2016. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This beautifully illustrated catalogue explores Claude Monet's experiments with the motif of the bridge between 1872 and 1875, in the aftermath of the Franco-Prussian War. After moving to Argenteuil, a suburban town on the outskirts of Paris, the artist (1840-1926) was inspired to paint the local highway bridge located near his house on the banks of the Seine. Le Pont de Bois (1872) depicts the bridge under repair following the destruction wrought by the war, and as such is a tribute to France's return to order. A composition of startling modernity, the painting also became a starting point for further explorations of this theme. Focusing on twelve major paintings by the artist, this book examines how Monet used the motif of the bridge as a laboratory for his innovative ideas, in his desire to establish himself as a leader of the avant-garde. it also looks at the Impressionists' artistic response in the aftermath of the Franco-Prussian War and the way in which photographers and painters highlighted the remarkable range of brides in Paris." - Publisher. *** CONTENTS: Foreword; Acknowledgements; Lenders to the exhibition; Towards the modern landscape: Monet's Le pont de bois in context, by Annabelle Kienle Ponka; Reconstruction and reassurance in paintings: representing the aftermath of the Franco-Prussian War, by Richard Thomson; "Great works of human industry": imagining the bridges of Paris, 1852-75, by Simon Kelly; Chronology, by Kirsten Appleyard; Exhibition checklist. Size: Oblong. N° de réf. du vendeur 106197
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Hardcover. Etat : new. Hardcover. French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. After moving to Argenteuil, a small town on the outskirts of Paris, Monet was drawn to the local footbridge near his house on the banks of the Seine. His painting of it, The Wooden Bridge, 1872, is a composition of startling modernity. The book begins with this work and explores Monet's use of the bridge motif from 1872 to 1877 in the aftermath of the Franco-Prussian war and beyond. Beautifully illustrated and published to accompany a major exhibition, the book explores how Monet sought to establish himself as a leader of the avant-garde and how his paintings of bridges played a pivotal role in this context. Focusing on twelve major paintings by Monet, the catalogue further examines the Impressionists' response to their ever-changing environment and the late nineteenth-century transformation of Paris and its suburbs. The publication consists of three sections featuring three essays followed by an illustrated chronology: Monet's use of the bridge as a testing ground for his innovative ideas, the role of photography, illustrations, and contemporary influences; the expansion of Paris and the urban cityscape; the role of Impressionism in the context of the Franco-Prussian war. Text in English and French. AUTHORS: Anabelle Kienle Ponka is Associate Curator, European and American Art, at the National Gallery of Canada. Simon Kelly is Curator of Modern and Contemporary Art at the Saint Louis Art Museum, Missouri. Richard Thomson is the Watson Gordon Professor of Fine Art at the University of Edinburgh. 62 colour images For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9788874397198
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Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
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Vendeur : libreriauniversitaria.it, Occhiobello, RO, Italie
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Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. French painter Claude Monet (1840-1926) is one of the most popular artists of all time. His paintings of water lilies, haystacks, cathedrals, and much more are all celebrated and beloved. For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. After moving to Argenteuil, a small town on the outskirts of Paris, Monet was drawn to the local footbridge near his house on the banks of the Seine. His painting of it, The Wooden Bridge, 1872, is a composition of startling modernity. The book begins with this work and explores Monet's use of the bridge motif from 1872 to 1877 in the aftermath of the Franco-Prussian war and beyond. Beautifully illustrated and published to accompany a major exhibition, the book explores how Monet sought to establish himself as a leader of the avant-garde and how his paintings of bridges played a pivotal role in this context. Focusing on twelve major paintings by Monet, the catalogue further examines the Impressionists' response to their ever-changing environment and the late nineteenth-century transformation of Paris and its suburbs. The publication consists of three sections featuring three essays followed by an illustrated chronology: Monet's use of the bridge as a testing ground for his innovative ideas, the role of photography, illustrations, and contemporary influences; the expansion of Paris and the urban cityscape; the role of Impressionism in the context of the Franco-Prussian war. Text in English and French. AUTHORS: Anabelle Kienle Ponka is Associate Curator, European and American Art, at the National Gallery of Canada. Simon Kelly is Curator of Modern and Contemporary Art at the Saint Louis Art Museum, Missouri. Richard Thomson is the Watson Gordon Professor of Fine Art at the University of Edinburgh. 62 colour images For the first time, this book explores a new aspect of Monet's work: his fascination, during the 1870s, with bridges. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9788874397198
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