Italian design marked a highly distinctive mark on the way that the form of objects is perceived in contemporary society.
Italian design has spanned the whole of the twentieth century, leaving a highly distinctive mark on the way that the form of objects of everyday use is perceived in industrial and contemporary society. This "Italian way" has succeeded, through a complex and hesitant process of industrial innovation and technological updating, in developing an independent and multifaceted culture of design capable of marrying the country's rich craft tradition with an often fiercely resisted aspiration to modernity made up of flashes of improvisation and irony, and associated with an arduous bent for experimentation. In this sense, the history of Italian design has not yet been subjected to an exhaustive interpretation of the cultural and artistic dimensions of the phenomenon, and in particular little has been said so far about the synergy between artistic experimentation and innovative design that has characterized it throughout the twentieth century. The exhibition and this catalogue set out to offer a first overview of these links through an exploration of the different ways of seeing, interpreting, and representing industrial society in Italy on the part of the architects, artists, and designers who lived though its emergence, and who to some extent "invented" it.
The exhibition, with around 400 works chosen from among the most representative of artistic research and the culture of design in Italy in the twentieth century, is arranged chronologically, with four sections that define the different periods in the philosophical, economic, and aesthetic discourse that has accompanied the recent history of art and design in Italy. The survey brings to light the "philosophies" of design and the "aesthetics" that found a strong and dialectical expression right through the last century in Italy, and that are at the root of the country's characteristic and lively cultural debate between art and design.
This catalogue is published in conjunction with Il modo italiano. Italian Design and Avant-garde in the 20th Century, an exhibition produced by the Montreal Museum of Fine Arts in collaboration with the Royal Ontario Museum, Toronto, and the Mart - Museo di Arte Moderna e Contemporanea di Trento e Rovereto
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Vendeur : Books of Paradise, Magalia, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition; First Printing. Book and DJ have light shelfwear, large inscription inked on FFEP, several tiny soil spots, slight toning to edges, top corner of front cover slightly bumped; DJ has couple tiny wrinkles, slight toning to edges, tiny bit of light soiling; color photos ; 384 pages. N° de réf. du vendeur AM1852
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Vendeur : Lectioz Books, Gloucester, NSW, Australie
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Exhibition Publication. Jacket has light wear. Small ding to top edge of rear board. Red texta (felt-pen) mark to bottom edge of page-block. Internally clean, Binding tight. 397pp Size: 250mm x 295mm. Book. N° de réf. du vendeur 010979
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Vendeur : Miliardi di Parole, Pietra Marazzi, AL, Italie
Etat : Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone. N° de réf. du vendeur LBC_150254
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Vendeur : medimops, Berlin, Allemagne
Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. N° de réf. du vendeur M08876245375-V
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. illustrated edition. 397 pages. 11.50x10.00x1.50 inches. In Stock. N° de réf. du vendeur __8876245375
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 72253
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