Many elements converge in the construction of a high-quality art collection, making it a fascinating, intellectual and emotional adventure, a journey of discovery and a labour of love. Formed over the course of thirty years by Udo Horstmann and his wife, the Horstmann collection is rather exceptional inasmuch as it offers a captivating vision of the variety of solutions adopted by black artists over the course of the centuries: nearly 120 extraordinary sculptures, figures, masks, household objects and weapons from Guinea-Bissau, Mali, Burkina Faso, Cote d'Ivoire, Ghana, Togo, Nigeria, Cameroon, Gabon, Congo, Angola, Zambia, Zimbabwe, South Africa, Swaziland, Mozambique, Kenya and Sudan.
The origin of the artworks-- selected for their perfection transcending the mere utilitarian function-- touches all of the lands of the continent, including the southern and eastern lands rarely so authoritatively represented in other collections, and their execution covers an arc of time of several millennia.
The presence of ancient works contributes to the demolition of the preconception that has weighed unfairly until recent years on African art, and that is the absence of evolution in the artistic creation of Black Africa, and therefore of any historic quality. This is a difficult negation to cancel if African sculpture is still often labeled as "primitive."
Another meritorious quality of the Horstmanns lies in the fact that they chose the sculptures in their collection, not out of any generic passion for the exotic and neither for any abstract demand for representativity of ethnicity or significance or destination, but for their quality, for the enchantment of the "form," or better, ofthe "forms."
Paging through the book, the reader will discover that the artistic creation, that is, the need to give "form" to the formless, is a common heritage of mankind, shared by the artists of Black Africa.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Antiquariat Kunsthaus-Adlerstrasse, Stuttgart, Allemagne
271 S. mit zahlr. farb. Abb. Umschl. mit min. Gebrauchsspuren. Sprache: Englisch 4°, Orig.-Karton mit ill. Orig.-Schutzumschlag. N° de réf. du vendeur 30221
Quantité disponible : 1 disponible(s)
Vendeur : The Book Spot, North Branch, MN, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur Abebooks513826
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Vendeur : Joseph Burridge Books, Dagenham, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 271 pages : colour illustrations ; 28 cm. Collection includes nearly 120 extraordinary sculptures, masks and objects from Mali, Burkina Faso, Nigeria, Gabon, Congo, Angola, Zambia, South and Eastern Africa including Kenya and Sudan. N° de réf. du vendeur 6cb902
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Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Qto., 272 pages, illustrated, many full page colour plates. A Fine copy in a Fine dust jacket. N° de réf. du vendeur 102903
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Vendeur : Lectioz Books, Gloucester, NSW, Australie
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Light general wear to jacket. No tears. Insignificant mark to black ffep and front pastedown. Internally very clean.Binding tight. 288pp The collection formed over the course of thirty years by Udo Horstmann is rather exceptional inasmuch as it offers a captivating vision of the variety of solutions adopted by black artists over the course of the centuries. The collection includes nearly 120 extraordinary sculptures, masks and objects from Mali, Burkina Faso, Nigeria, Gabon, Congo, Angola, Zambia, South and Eastern Africa including Kenya and Sudan. Size: 255mm x 305mm. Book. N° de réf. du vendeur 028646
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Vendeur : spaziomedia, Macerata, MC, Italie
Copertina rigida. Etat : New. The power of form. African art from the Horstmann collection di Ezio Bassani, Eric Bassani, Michael Bockemuhl, Patrick R. McNaughton. Condizioni: Nuovo. Spedizione rapida e curata. N° de réf. du vendeur v771571 05.12.23 35b eb ibs
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