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Anguissola, Anna; Settis, Salvatore

 
9788887029611: Serial / Portable Classic: The Greek Canon and Its Mutations

Synopsis

In no other period of Western art history was the creation of copies from great masterpieces of the past as important as in late Republican Rome and throughout the Imperial Age. Certain Greek and Roman sculptures were established as canonical, their prestige so high and their acquisition so impossible that their reproductions--even on a small, portable scale--became sought-after commodities among the well-read populace of ancient Rome and modern Europe. With almost 400 duotone illustrations, a wealth of explanatory and groundbreaking scholarship and beautiful, delicate paper changes, Serial / Portable Classic examines this culture of the copy. Published to accompany the Fondazione Prada exhibitions Serial Classic in Milan and Portable Classic in Venice, whose display has been conceived by OMA/Rem Koolhaas, it is bound to be treasured by the student of art history and casual reader alike.

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Présentation de l'éditeur

Exhibition 'Portable Classic', co-curated by Salvatore Settis and Davide Gasparotto, explores the origins and functions of miniature reproductions of classical sculptures, showcasing more than 80 artworks on the ground and first floor at Ca Corner della Regina. Both in ancient Rome and modern Europe a true canon of sculptures was created, considered as an undisputed peak of excellence of a given subject. Their prestige was so high that, since it was almost impossible to acquire the originals, their reproductions, even on a small scale, were eagerly sought for by well-read audiences. An example of this is the 'Farnese Hercules', displayed in a 317 cm high plaster cast exhibited next to a series of modern smaller-scale reproductions in marble, bronze and terracotta, measuring 15 to 130 cm.

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