Feng Zhengjie, whose work appears on the cover of 2005's China: The New Contemporary Painting, represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his country's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling that's gotten increasingly eerie in recent years as his subjects' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, "Their eyes change and follow the artist's transformations...year by year, with different thoughts, looking towards and within his country's history and culture."
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Born in 1968 in the province of Sichuan, Feng Zhengjie is one of the most interesting Chinese artists of recent years. Femininity is the main subject of his painting. Women painted in gaudy colours, with seemingly alien, rarefied faces, who charm viewers, locking their gazes. The eyes are the unmistakable and attractive force of Feng Zenghjies faces: distorted often squinting, they enrich womens faces, giving them an aura of nobility. Haughty femininity, with a strong sensuality, women who are similar in colours and shapes, but can be identified by the striking perfection of their beauty. Feng Zenghjies artistic career has led to the codification of a formal element in the image moving closely with contemporary visual experience. His works seem magnified fashion photographs, but in reality they are artificially thought and constructed, as they are influenced by old popular culture, as well as by commercial contemporary images, based on imitating and counterfeiting, capable of evoking a fully contemporary spirituality. These are charming and captivating works, unreal for their iciness, but at the same time alive with the warmth and eroticism exuding from them. This is an odd mix, left hanging in mid-air, but capable of striking viewers. Few signs are present on the often large canvasses, with faces not looking anywhere as if lost in their own thoughts, and in a confusing society making one lose the perception of what really happens. A unique pictorial style characterizing the unmistakable style of this artist. (Eleonora Battiston)
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK. N° de réf. du vendeur M8889431369Z3
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Vendeur : MW Books, New York, NY, Etats-Unis
First Edition. Feng Zhengjie, whose work appears on the cover of 2005Â's China: The New Contemporary Painting, represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his countryÂ's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling thatÂ's gotten increasingly eerie in recent years as his subjectsÂ' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, "Their eyes change and follow the artistÂ's transformations.year by year, with different thoughts, looking towards and within his countryÂ's history and culture"; 8vo 8" - 9" tall; 221 pages; Physical desc. : 221, [1] p. : chiefly col. Ill. ; 28 cm. Publ. On the occasion of the exhibition Milan, Marella Gallery, 2005. Text in Chinese, English and Italian. Italian, English, Chinese. Subject: Feng, Zhengjie, 1968- - Exhibitions. Painting, Modern - 21st century - China - Exhibitions. CHINESE PAINTING 2 Kg. N° de réf. du vendeur 156144
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Vendeur : MW Books Ltd., Galway, Irlande
First Edition. Feng Zhengjie, whose work appears on the cover of 2005Â's China: The New Contemporary Painting, represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his countryÂ's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling thatÂ's gotten increasingly eerie in recent years as his subjectsÂ' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, "Their eyes change and follow the artistÂ's transformations.year by year, with different thoughts, looking towards and within his countryÂ's history and culture"; 8vo 8" - 9" tall; 221 pages; Physical desc. : 221, [1] p. : chiefly col. Ill. ; 28 cm. Publ. On the occasion of the exhibition Milan, Marella Gallery, 2005. Text in Chinese, English and Italian. Italian, English, Chinese. Subject: Feng, Zhengjie, 1968- - Exhibitions. Painting, Modern - 21st century - China - Exhibitions. CHINESE PAINTING 2 Kg. N° de réf. du vendeur 156144
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 221 pages, chiefly colour illustrations; 28 cm. Text in Italian, English, and Chinese. Published on the occasion of the exhibition Milan, Marella Gallery, November to December 2005. Firm binding, clean inside copy. *** Stylized portaiture and nudes by the Chinese painter. *** "Feng Zhengjie, whose work appears on the cover of 2005's China: The New Contemporary Painting, represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his country's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling that's gotten increasingly eerie in recent years as his subjects' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, 'Their eyes change and follow the artist's transformations.year by year, with different thoughts, looking towards and within his country's history and culture.'" - Publisher. Size: 4to. Collectible. N° de réf. du vendeur 211410
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover exhibition catalog, 224 pages, in English and Chinese; new condition, no internal marks, clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur FeBaDa45
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Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Wrappers. Etat : Fine Condition. 226 pages 146 illustrations in color. Illustrated wraps. Text is in Chinese and English. Published on the occasion of the exhibition from the Marella Gallery Milano from November to December 2005. Select Biography. Book. N° de réf. du vendeur 028882
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Vendeur : libreriauniversitaria.it, Occhiobello, RO, Italie
Etat : NEW. N° de réf. du vendeur 9788889431368
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Vendeur : Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italie
Brossura. Etat : fine. Edited by Battiston E. English and Chinese Text. Bologna, 2006; paperback, pp. 224, b/w and col. ill., cm 24x28. (Forward). Feng Zhengjie, whose work appears on the cover of 2005's "China: The New Contemporary Painting, " represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his country's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling that's gotten increasingly eerie in recent years as his subjects' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, "Their eyes change and follow the artist's transformations.year by year, with different thoughts, looking towards and within his country's history and culture.". Libro. N° de réf. du vendeur 1200136
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Vendeur : Kloof Booksellers & Scientia Verlag, Amsterdam, Pays-Bas
Etat : very good. Bologna : Damiani, 2006. paperback. 221 p. : chiefly col. ill. ; 28 cm. [curated by Eleonora Battiston]. Published on the occasion of the exhibition Milan, Marella Gallery, Nov.-Dec. 2005. Condition : very good copy. ISBN 9788889431368. Keywords : , N° de réf. du vendeur 216885
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Vendeur : Brit Books, Milton Keynes, Royaume-Uni
Paperback. Etat : Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. N° de réf. du vendeur 4457833
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