The diffusion of personal signs of identity during the twelfth century introduced individuals to mediated forms of communication. The book analyses the conditions for and the implications of their partnering with material signs and images in expressing self and accountability.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Brigitte Miriam Bedos-Rezak, Professor of History, New York University, has published extensively on medieval seals as conceptual tools, markers of identity, and social agents, including Form as Order in Medieval France (Aldershot, 1993), and Medieval Identity (American Historical Review, 2000)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 295 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9004192174
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Vendeur : moluna, Greven, Allemagne
Hardcover. Etat : New. Über den AutorBrigitte Miriam Bedos-Rezak, Professor of History, New York University, has published extensively on medieval seals as conceptual tools, markers of identity, and social agents, including Form as Order in Medieval Franc. N° de réf. du vendeur 909457454
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - Twelfth-century individuals negotiated personal relationships along a continuum connecting rather than polarizing immediacy and mediated representation. Their markers of individuation, signs of identity and media of communication thus evidence practical engagement with contemporary medieval sign theory and perceptions of reality. In this study, the relevance of modern theory for the interpretation of medieval artifacts is shown to depend upon the parallel existence of theoretical activity by the producers and users of such artifacts. In the cultural landscape of the central Middle Ages, the axes of iconicity, semantics and materiality traced by charters, seals, and by both concrete and metaphorical images of the imprint, dynamically shaped the boundaries within which a sense of self was formulated, modulated, experienced, and enacted. N° de réf. du vendeur 9789004192171
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