Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Marice Rose, Ph.D., is Associate Professor of Art History at Fairfield University. She publishes on the topics of classical reception, images of women and slaves in the late Roman empire, and art history pedagogy.
Alison C. Poe, Ph.D., is an Adjunct Instructor of Art History at Fairfield University specializing in Roman imperial-era and late antique funerary art and architecture as well as in classical reception.
Contributors to this volume are Katherine M. Bentz, Mary Edwards, Genevieve S. Gessert, Hetty Joyce, Claudia Lazzaro, Stephanie C. Leone, Maria F. Maurer, K. Sarah-Jane Murray (with Ashley A. Simone), April Oettinger, Patricia Simons, Timothy Smith and Ian Verstegen.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. Neuware - Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms. N° de réf. du vendeur 9789004278745
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