In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the Ancient Temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Don Harrán is Artur Rubinstein Professor Emeritus of Musicology at the Hebrew University of Jerusalem. He has written extensively on Italian and Jewish art music (its composers, singers and instrumentalists--male and female, and theorists) in the early modern era.
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Vendeur : Anselm Scrivener Books, Chapel Hill, NC, Etats-Unis
Hardcover. Etat : As New. Includes works by Judah Moscato, Leon Modena, and Abraham Portaleone. English translations followd by Hebrew texts. Studies in Jewish History and Culture, vol. 47. viii, 396 pp.; 9 illus. Hardback with laminated pictorial boards. Unread, as new. New list price: $175.00. N° de réf. du vendeur J5701
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Hardcover. Etat : Fine. First edition. Octavo. vi, 396pp. Indices and bibliography. Pictorial green boards with purple red and green spine lettered in white. Illustrated with 9 text figures. A fine, as new copy. "In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah ben Joseph Moscato (approx. 1530-1593), who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena (1571-1648), the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone (1542-1612), the third scholar, treated music in a massive disquisition on the ancient temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory"-- Provided by publisher. Contents: Judah Moscato on the spirituality of music -- Sounds for contemplation on a lyre -- Leon Modena on the legality of art music in the synagogue -- Is art music permissible in the synagogue? -- Abraham Portaleone on the practice of music in the ancient temple -- Music as practiced in the temple and the early modern era -- The Jewish contribution to music theory in the early modern era. Part of the series: Studies in Jewish history and culture, volume 47. N° de réf. du vendeur 51634
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Hardcover. Etat : Brand New. 396 pages. 9.25x6.50x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9004283021
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Buch. Etat : Neu. Neuware - In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the Ancient Temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory. N° de réf. du vendeur 9789004283022
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