In The Reception of Aeschylus' Plays 15 scholars explore new methods and frontiers for studying and staging Aeschylus plays by showing the tensions between traditional scholarship and innovative analysis in reception studies and performance studies.
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Stratos E. Constantinidis is the author of two monographs on critical theory and historiography. He edited numerous interdisciplinary books and journal volumes, and four special issues on Greek drama, cinema, and culture. He is also translator of three produced and published translations of Greek plays. He was director of the Comparative Drama Conference (2000-2004) and served as editor of Text and Presentation (McFarland, 2000-2008) and the Journal of Modern Greek Studies (Johns Hopkins University Press, 2003-2006). Contributors to this volume are: Sarah Brown Ferrario, Alex Garvie, Vijaya Guttal, Johanna Hanink, Lorna Hardwick, Peter Meineck, Paul Monaghan, Helen Moritz, Dana Munteanu, Rush Rehm, Deborah Roberts, Anna Uhlig, Michael Walton, and Kevin Wetmore.
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Vendeur : Lacey Books Ltd, Cirencester, Royaume-Uni
Hardcover. Etat : Very Good. 2016 Brill hardcover edition. Light reading wear else very good condition. Contents: 1, 'Editing Aeschylus for a Modern Readership: Textual Criticism and Other Concerns' by A.F. Garvie; 2, 'Aeschylus and His Afterlife in the Classical Period: 'My Poetry Did Not Die with Me'' by Johanna Hanink and Anna S. Uhlig; 3, 'Prometheus Bound in Translation: 'The True Promethean Fire'' by J. Michael Walton; 4, 'Aeschylus' Seven against Thebes: War, Women, and the Hecht/Bacon Translation' by Deborah H. Roberts; 5, 'Aeschylus in the Balance: Weighing Corpses and the Problem of Translation' by Rush Rehm; 6, 'Cognitive Theory and Aeschylus: Translating beyond the Lexicon' by Peter Meineck; 7, 'Aeschylus and Western Opera' by Sarah Brown Ferrario; 8, 'Aeschylus' Cassandra in the Operas of Taneyev and Gnecchi' by Dana L. Munteanu; 9, 'Pop Music Adaptations of Aeschylus' Plays: What Kind of Rock was Prometheus Fastened to?' by Kevin J. Wetmore, Jr.; 10, 'Aeschylus as Postdramatic Analogue: 'A Thing Both Cool and Fiery'' by Paul Monaghan; 11, 'Voices of Trauma: Remaking Aeschylus' Agamemnon in the Twentieth Century' by Lorna Hardwick; 12, 'The Oresteia in Kannada: The Indian Context' by Vijaya Guttal; 13, 'Two Centuries, Two Oresteias, Two Remakes' by Helen E. Moritz. N° de réf. du vendeur 8K-B5AV-CRXZ
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Vendeur : moluna, Greven, Allemagne
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. bilingual edition. 398 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9004331158
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus' plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies. N° de réf. du vendeur 9789004331150
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