Performative literary culture emerged as a set of practices that shaped production and distribution of learning in late medieval and early modern Western Europe, both in Latin and the vernacular. Performative literary culture encompasses the plays, songs, and poetry performed for live audiences in (semi-)public spaces and the organizations championing performative literature through meetings and events. These organizations included chambers of rhetoric, confraternities of the Puy, joyous companies, guilds of Meistersingers, the Consistory of Joyful Knowledge, academies, companies of the Basoche and Inns of Court, and the institutions or people organizing the Spanish justas. Written by a team of experts, the contributions in this book explore how performative literary cultures shaped the exchange of public learning, knowledge, and ideas between the oral, theatrical, and literary spheres.
Contributors include: Francisco J. Álvarez, Adrian Armstrong, Gabriele Ball, Anita Boele, Cynthia J. Brown, Susanna de Beer, Hilde de Ridder-Symoens, Ignacio García Aguilar, Laura Kendrick, Samuel Mareel, Inmaculada Osuna, Bart Ramakers, Dylan Reid, Catrien Santing, Susie Speakman Sutch, and Arjan van Dixhoorn.
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Arjan van Dixhoorn, Ph.D. VU Amsterdam (2004), was appointed Hurgronje Professor of the History of Zeeland in the World at Utrecht University (University College Roosevelt at Middelburg) in 2013. He has published on early modern knowledge cultures and public opinion in the Low Countries, in particular on the Dutch-speaking rhetoricians.
Susie Speakman Sutch, Ph.D. University of California at Berkeley (1983), was a postdoctoral researcher in the History Department at Ghent University. She has published on the contribution of devotional brotherhoods, chambers of rhetoric, book production and translation to urban culture in the Low Countries during the late fifteenth and early sixteenth centuries.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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