‘Retro’ is not only a pervading phenomenon in today’s Western culture but has informed cultural history for some centuries and thus gives momentousness to the subject of the present volume, namely literary texts and musical compositions which, for various reasons and with multiple functions, ‘make it old’.
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Walter Bernhart is retired Professor of English Literature at the University of Graz/Austria; he was President of the International Association for Word and Music Studies (WMA) from its foundation in 1997 to 2019 and is executive editor of ‘Word and Music Studies’ (WMS), several volumes of which he also (co-)edited. His collected essays on the relationship between literature and music were published in WMS 14 (2015). Werner Wolf is Professor of English and General Literature at the University of Graz/Austria. Main areas of research: aesthetic illusion, narratology, meta-phenomena, functions of literature, intermediality. A selection of his essays on intermediality was published in the Brill/Rodopi series ‘Studies in Intermediality’ in 2018, for which he has (co-)edited six more volumes; he is also (co-)editor of seven volumes of ‘Word and Music Studies’.
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Vendeur : Lacey Books Ltd, Cirencester, Royaume-Uni
Hardcover. Etat : Very Good. 2022 Brill hardcover edition. Light reading wear else very good condition. From the cover: 'Making it old' has been a longstanding and currently particularly important counterpart to the predominant preoccupation, in Western art history, with 'making it new'. This interdisciplinary volume explores retro forms and styles, and their functions, in literature and music since the nineteenth century in a wide range of texts and musical genres from Goethe's Faust and Louis Spohr's Historical Symphony to Kurt Schwitters's Ursonate, Ezra Pound's Cantos, present-day opera and pop music. In addition, it contains an essay on a recent, innovative novelistic experimentation with the musicalization of fiction.The volume is of interest to scholars and students of literature, music and memory studies as well as to readers generally interested in nostalgia and cultural retro phenomena. Contents: SECTION 1 Historical Retro Forms and Styles 1. Then and Now: Forms and Functions of 'Retroization' in German Literature and Music of the 1830s - Frieder von Ammon 2. Kurt Schwitters's Ursonate: Does Sonata Form Make It Old? - Peter Dayan 3. Rubbra, Brahms, Handel: How Retro Can It Get? - David Francis Urrows 4. 'Per metamorfosi': Ezra Pound and Early Music - Adrian Paterson SECTION 2 Retro in Contemporary Opera 5. 'Es klang so alt, und war doch so neu': Retro Forms in The Aspern Papers, Great Scott and The Ghosts of Versailles - Michael Halliwell 6. Back to the Baroque Age: Salvatore Sciarrino's Ti vedo, ti sento, mi perdo (In attesa di Stradella) (2017) - Bernhard Kuhn SECTION 3 Retro in Contemporary Popular Music 7. Original Fado Revisited: Resurgence and Reinterpretation of Nineteenth-Century Poetics in Ana Moura's Song 'A Fadista' - Pénélope Patrix 8. 'Back in the days / When I'd wait to see the old bands play': Retro Styles and the Quest for Authenticity in Punk - Gerfried Ambrosch 9. Old Style in Post-Communist Hip Hop: the Russian Band Vasya Oblomov and the Bosnian-Herzegovinian Band Dubioza Kolektiv - Ingeborg Jandl PART 2 Word and Music Studies: Surveying the Field 10. Remix Aesthetics and the Musicalization of Sound in Matthew Herbert's The Music (2018) - Thomas Gurke. N° de réf. du vendeur 49-51HU-AYWG
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