Articles liés à Listening to Confraternities: Spaces for Performance,...

Listening to Confraternities: Spaces for Performance, Patronage and Urban Musical Experience - Couverture rigide

 
9789004544208: Listening to Confraternities: Spaces for Performance, Patronage and Urban Musical Experience

Synopsis

Listening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active.

Contributors: Nicholas Terpstra, Emanuela Vai, Ana López Suero, Henry Drummond, Ascensión Mazuela-Anguita, Ferrán Escrivà-Llorca, Noel O'Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jiménez, Sergi González González, and Tess Knighton.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Tess Knighton, Ph.D. (1984, University of Cambridge) is an ICREA Research Professor at the Universitat Autònoma de Barcelona. She has published widely on the music and culture of the Iberian Peninsula, including the Brill Companion to Music at the Time of the Catholic Monarchs (2017).

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.