Seeds asks what must already be in place for thought, perception, and relation to begin. You enter a modular and recursive text built from signals, fragments, and Morse-based structures, where rhythm and interval operate as temporal engines and silence functions as condition rather than absence. Instead of narrating experience, Seeds records executed forms―pulses, delays, repetitions―so meaning appears as a late arrival rather than a foundation. The book foregrounds emergence without origin, growth without teleology, and coherence without hierarchy, offering a media-archaeological poetics of structure that can be entered anywhere and revisited without closure.
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Bill Zima (School of the Art Institute of Chicago, BFA, 1990) is an outsider conceptual artist, theorist, and media archaeologist based in the Scottish Highlands. His work investigates silence, signal, and operative time through Morse-based structures across writing, sound, and form.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Seeds asks what must already be in place for thought, perception, and relation to begin. You enter a modular and recursive text built from signals, fragments, and Morse-based structures, where rhythm and interval operate as temporal engines and silence functions as condition rather than absence. Instead of narrating experience, Seeds records executed formspulses, delays, repetitionsso meaning appears as a late arrival rather than a foundation. The book foregrounds emergence without origin, growth without teleology, and coherence without hierarchy, offering a media-archaeological poetics of structure that can be entered anywhere and revisited without closure. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9789004763340
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