Articles liés à Reason and the Passions in the Comedies of Calderon

Reason and the Passions in the Comedies of Calderon - Couverture rigide

Hildner, David Jonathan

 
9789027217219: Reason and the Passions in the Comedies of Calderon
Couverture rigide
ISBN 10 : 9027217211 ISBN 13 : 9789027217219
Editeur : John Benjamins Publishing Co, 1982

Synopsis

While Calderón's autos portray this teleological view of life with unequaled ingenuity, his comedias lie somewhere on the line of development of European thought and activity between the other-worldiness of orthodox Thomism and the naturalism of which Spinoza's ideas are one example among many. Let us characterize the comedias briefly by stating that the motives which move the dramatic action forward are generally of a teleological nature; that is, they envisage some hypostatized end outside the individual characters. Yet, there are key moments when it becomes apparent to the reader or spectator that these ends have been created and set before the characters by themselves, by the requirements of their social standing in the play, by the manipulating dramatist Calderón, or, in broader terms, by the social climate of the audience for whom these plays were written and performed. Both reason and exalted passions become the preserve of noble blood in Calderón's plays. Whether he is dealing with vengeful husbands, monarchs, usurpers, contemplative men of learning, or saints, the thread of social distinction never disappears. The concern of his characters that they not commit a "low" action, is not simply a Christian concern with avoiding sin. The characters are much more concerned with practicing a virtue which will distinguish them from the vulgar.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

While Calderón's autos portray this teleological view of life with unequaled ingenuity, his comedias lie somewhere on the line of development of European thought and activity between the other-worldiness of orthodox Thomism and the naturalism of which Spinoza's ideas are one example among many. Let us characterize the comedias briefly by stating that the motives which move the dramatic action forward are generally of a teleological nature; that is, they envisage some hypostatized end outside the individual characters. Yet, there are key moments when it becomes apparent to the reader or spectator that these ends have been created and set before the characters by themselves, by the requirements of their social standing in the play, by the manipulating dramatist Calderón, or, in broader terms, by the social climate of the audience for whom these plays were written and performed. Both reason and exalted passions become the preserve of noble blood in Calderón's plays. Whether he is dealing with vengeful husbands, monarchs, usurpers, contemplative men of learning, or saints, the thread of social distinction never disappears. The concern of his characters that they not commit a "low" action, is not simply a Christian concern with avoiding sin. The characters are much more concerned with practicing a virtue which will distinguish them from the vulgar.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
John Benjamins Publishing Co
Date d'édition
1982
Langue
anglais
ISBN 10 
9027217211
ISBN 13 
9789027217219
Reliure
Relié
Nombre de pages
131
Coordonnées du fabricant
non disponible
Personne responsable
non disponible