Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bookbot, Prague, Rébublique tchèque
Hardcover. Etat : Fair. Ohne Umschlag; Abnutzung / Risse - leicht. The essays in this collection address key theoretical issues surrounding Postmodernism, including its evolving definition, periodization, and historicity. Some pieces provide readings of Postmodernist texts, linking practical criticism to theoretical frameworks. Hans Bertens outlines the historical evolution of Postmodernism in American criticism, clarifying various definitions proposed over the past twenty-five years to enhance understanding and discussion. Brian McHale and Douwe Fokkema present models for analyzing Postmodernist texts, while Richard Todd argues that Postmodernism is more prevalent in contemporary British fiction than previously recognized. Herta Schmid makes a similar case regarding Russian avant-garde theater. Elrud Ibsch contrasts Thomas Bernhard and Robert Musil, and Ulla Musarra explores Italo Calvino's work. Gerhard Hoffman examines the relationship between Existentialism and Postmodernism, while Theo D'haen identifies parallels between Postmodernism in literature and visual arts. Matei Calinescu connects literary Postmodernism to broader cultural shifts, challenging Foucault's idea of an epistemic break and advocating for both continuity and discontinuity. Finally, Helmut Lethen and Susan Suleiman critically assess the concept of Postmodernism, with Suleiman suggesting that the alleged reaction against Modernism may be a critical myth or limited to the American context. N° de réf. du vendeur 2df7c93e-94bb-4077-bc5a-c0c4b4f28028
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Vendeur : AwardWinningBooks, Spring Branch, TX, Etats-Unis
Hardcover. Etat : Fair. Withdrawn library with usual marks, dampstain to rear board, no jacket. N° de réf. du vendeur ABE-1699726029656
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 310 pages. 9.00x6.00x0.70 inches. In Stock. N° de réf. du vendeur __9027221960
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