'Censorship' has become a fashionable topic, not only because of newly available archival material from Eastern Europe and the former Soviet Union, but also because the 'new censorship' (inspired by the works of Foucault and Bourdieu) has widened the very concept of censorhip beyond its conventional boundaries. This volume uses these new materials and perspectives to address the relationship of censorship to cultural selection processes (such as canon formation), economic forces, social exclusion, professional marginalization, silencing through specialized discourses, communicative norms, and other forms of control and regulation.
Two articles in this collection investigate these issue theoretically. The remaining eight contributions address the issues by investigating censorial practice across time and space by looking at the closure of Paul's playhouse in 1606; the legacy of 19th century American regulations and representation of women teachers; the relationship between official and samizdat publishing in Communist Poland; the ban on Gegenwartsfilme (films about contemporary society) in East Germany in 1965/66; the censorship of modernist music in Weimar and Nazi Germany; the GDR's censorship of jazz and avantgarde music in the early 1950s; Aesopian strategies of textual resistance in the pop music of apartheid South Africa and in the stories of Mario Benedetti.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Censorship has become a fashionable topic, not only because of newly available archival material from Eastern Europe and the former Soviet Union, but also because the new censorship (inspired by the works of Foucault and Bourdieu) has widened the very concept of censorhip beyond its conventional boundaries. This volume uses these new materials and perspectives to address the relationship of censorship to cultural selection processes (such as canon formation), economic forces, social exclusion, professional marginalization, silencing through specialized discourses, communicative norms, and other forms of control and regulation. Two articles in this collection investigate these issue theoretically. The remaining eight contributions address the issues by investigating censorial practice across time and space by looking at the closure of Pauls playhouse in 1606; the legacy of 19th century American regulations and representation of women teachers; the relationship between official and samizdat publishing in Communist Poland; the ban on Gegenwartsfilme (films about contemporary society) in East Germany in 1965/66; the censorship of modernist music in Weimar and Nazi Germany; the GDRs censorship of jazz and avantgarde music in the early 1950s; Aesopian strategies of textual resistance in the pop music of apartheid South Africa and in the stories of Mario Benedetti.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9042009888. N° de réf. du vendeur 8766752
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. Volume 22. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9042009888. N° de réf. du vendeur 9894194
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. Volume 22. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9042009888. N° de réf. du vendeur 9759614
Quantité disponible : 1 disponible(s)
Vendeur : Antiquariaat Schot, Hendrik-Ido-Ambacht, Pays-Bas
Original publisher's blue paper-covered boards, white title spine, large 8vo: viij, 250pp., 10 contributors with footnotes & references, acknowledgements, index names. CONTRIBUTIONS: 1. Beate Müller: Censorship and Cultural Regulation: Mapping the Territory. 2. Enno Ruge: Preaching and Playing at Paul's: The Puritans, The Puritaine, and the Closure of Paul's Playhouse. 3. Erik Levi: The Censorship of Musical Modernism in Germany, 1918-1945. 4. Toby Thacker: 'Anleitung und Kontrolle': Stakuko and the censorship of music in the GDR, 1951-1953. 5. Daniela Berghahn: Film Censorship in a 'Clean State': The Case of Klein and Kohlhaase's Berlin um die Ecke. 6. John M. Bates: From State Monopoly to a Free Market of Ideas? Censorship in Poland, 1976-1989. 7. Carmen Tisnado: Performing the Unspeakable: Defeating Censorship in Two Stories by Mario Benedetti. 8. Michael Drewett: Aesopian Strategies of Textual Resistance in the Struggle to Overcome the Censorship of Popular Music in Apartheid South Africa. 9. Anne Ruggles GERE: Representing the Censored Teacher. 10. Helen Freshwater: Towards a Redefinition of Censorship. Very fine copy - as new., Volume 22: Critical Studies. N° de réf. du vendeur 163833
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. Questo è un articolo print on demand. N° de réf. du vendeur 0IIKJMNVBH
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 258 pages. 8.90x5.90x0.90 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9042009888
Quantité disponible : 1 disponible(s)