The twenty-one essays collected in this volume offer a broad range of critical views on the intricate interdependence between verbal and visual representation.
Drawing on recent research, scholars from Europe, America and Asia approach the topic from a host of different angles, exploring topics such as popular visual cultures in Japan, devotional graffiti in a Piedmontese chapel, textual trompe-l'oeil in Jaques Derrida's Memoirs of the Blind or the relationship between the landscape paintings of Albert Bierstadt and the representation of landscape in the texts of James Fenimore Cooper.
The International Association of Word and Image Studies was founded nearly twenty years ago - 1987 - and is based in Amsterdam. One of the aims of the association is to be a forum for both theoretical debate and innovative research in different disciplines. Over the years, the IAWIS triennial conferences and the IAWIS publications have established themselves as internationally acknowledged sites where literary critics, art historians, architects, art and design specialists, semioticians, artists, psychologists and art critics can meet and engage in a sustained dialogue.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The twenty-one essays collected in this volume offer a broad range of critical views on the intricate interdependence between verbal and visual representation. Drawing on recent research, scholars from Europe, America and Asia approach the topic from a host of different angles, exploring topics such as popular visual cultures in Japan, devotional graffiti in a Piedmontese chapel, textual trompe-loeil in Jaques Derridas Memoirs of the Blind or the relationship between the landscape paintings of Albert Bierstadt and the representation of landscape in the texts of James Fenimore Cooper. The International Association of Word and Image Studies was founded nearly twenty years ago 1987 and is based in Amsterdam. One of the aims of the association is to be a forum for both theoretical debate and innovative research in different disciplines. Over the years, the IAWIS triennial conferences and the IAWIS publications have established themselves as internationally acknowledged sites where literary critics, art historians, architects, art and design specialists, semioticians, artists, psychologists and art critics can meet and engage in a sustained dialogue.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Original publisher's sewn black paperback, pictorial frontcover, 8vo: 256pp., 21 contributions with illustrations - tables - notes - references, table of contents. Very fine copy - as new. Volume 50: Textxet. Studies in Comparative Literature. N° de réf. du vendeur 153621
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Etat : Fair. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9789042018372. N° de réf. du vendeur 5580557
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Paperback. Etat : Brand New. 256 pages. 8.50x5.91x0.87 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9042018372
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