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The Lost Girls: Demeter-Persephone and the Literary Imagination, 1850-1930 - Couverture souple

 
9789042022355: The Lost Girls: Demeter-Persephone and the Literary Imagination, 1850-1930

Synopsis

The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter's loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers - Mary Webb and Mary Butts - who utilised occult tropes to relocate themselves culturally, and especially in Butts's case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced - and became transformed by - the literature. Rather than offering a teleological argument that moves lock-step through the decades, The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeters loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers Mary Webb and Mary Butts who utilised occult tropes to relocate themselves culturally, and especially in Buttss case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced and became transformed by the literature. Rather than offering a teleological argument that moves lock-step through the decades, The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Radford, Andrew D.
Edité par Brill Academic Pub, 2007
ISBN 10 : 9042022353 ISBN 13 : 9789042022355
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Radford, Andrew
Edité par Editions Rodopi B.V., 2007
ISBN 10 : 9042022353 ISBN 13 : 9789042022355
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Radford, Andrew
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ISBN 10 : 9042022353 ISBN 13 : 9789042022355
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Andrew Radford
Edité par Editions Rodopi B.V., 2007
ISBN 10 : 9042022353 ISBN 13 : 9789042022355
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Paperback. Etat : Brand New. 356 pages. 8.75x6.00x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9042022353

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