Articles liés à Time, memory, consciousness and the cinema experience

Time, memory, consciousness and the cinema experience - Couverture souple

Blassnigg, Martha

 
9789042026407: Time, memory, consciousness and the cinema experience
Couverture souple
ISBN 10 : 9042026405 ISBN 13 : 9789042026407
Editeur : Editions Rodopi B.V., 2009

Synopsis

In this book cinema spectators are presented as ‘observing participants’, that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators’ active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif. To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburg’s intervention with the Mnemosyne Atlas. Bergson’s main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind ― intellect and intuition ― can help us understand the so-called ‘spiritual’ dimension of the emerging cinema from the perspective of the spectators’ cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

In this book cinema spectators are presented as observing participants, that is, agents who take part in their own perceptual processes. It takes experience into the centre of its investigation to propose the spectators active participation. It applies this to understanding cinema, from its outset, as a philosophical dispositif. To this end, the book explores crucial interconnections between the various constituencies that shaped moving image technologies and their reception at the nexus of science, art and popular culture at the end of the 19th century and some of the prevailing concerns about time, movement, memory and consciousness. It discusses in particular the interrelations between the works by the philosopher Henri Bergson, the physiologist Étienne-Jules Marey and the art-historian Aby Warburgs intervention with the Mnemosyne Atlas. Bergsons main themes germane to these concerns are discussed in detail in order to show how, during the perceptual processes, the seemingly contradictory tendencies of the mind intellect and intuition can help us understand the so-called spiritual dimension of the emerging cinema from the perspective of the spectators cognitive engagement. This perspective invites us to include the experiential qualities of mental processes, such as the interaction between affect, thought and action and the interrelation between memory, perception and consciousness in the study of audio-visual media and elsewhere.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Editions Rodopi B.V.
Date d'édition
2009
Langue
anglais
ISBN 10 
9042026405
ISBN 13 
9789042026407
Reliure
Broché
Nombre de pages
254
Coordonnées du fabricant
non disponible
Personne responsable
non disponible