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Synopsis
This book is an important addition to the current body of scholarly material on contemporary performance and theatre as it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance. Through a detailed critical reading of four key Australian performance pieces, Tiger Country, Ningali, The 7 Stages of Grieving and The Geography of Haunted Places the author demonstrates the myriad ways in which cultural identity can be represented and interpreted in performance. Grehan takes as her point of departure questions of place, belonging and cultural identity as they are currently considered and uses these questions to formulate an analytical framework for contemporary performance. Drawing on theoretical ideas of Gilles Deleuze and Félix Guattari, Rosi Braidotti and Edward Casey, the author develops her own theory of mapping as an analytical tool which is adaptable and contingent, and can facilitate the opening up of the multiple layers of meaning within contemporary performance. In the process questions are raised about the relevance of terms such as belonging, place and representation within the often fraught post-colonial cultural landscape.
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À propos de l?auteur
The Author : Helena Grehan is a lecturer in Theatre and Creative Arts at Murdoch University, Western Australia. She has published on interculturalism, post-colonialism and race in contemporary performance.
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Mapping Cultural Identity in Contemporary Australian Performance
Edité par
Peter Lang Ltd. International Academic Publishers Jun 2001, 2001
ISBN 10 : 9052019479
ISBN 13 : 9789052019475
Neuf
Taschenbuch
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is an important addition to the current body of scholarly material on contemporary performance and theatre as it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance. Through a detailed critical reading of four key Australian performance pieces, Tiger Country, Ningali, The 7 Stages of Grieving and The Geography of Haunted Places the author demonstrates the myriad ways in which cultural identity can be represented and interpreted in performance. Grehan takes as her point of departure questions of place, belonging and cultural identity as they are currently considered and uses these questions to formulate an analytical framework for contemporary performance. Drawing on theoretical ideas of Gilles Deleuze and Félix Guattari, Rosi Braidotti and Edward Casey, the author develops her own theory of mapping as an analytical tool which is adaptable and contingent, and can facilitate the opening up of the multiple layers of meaning within contemporary performance. In the process questions are raised about the relevance of terms such as belonging, place and representation within the often fraught post-colonial cultural landscape. 172 pp. Englisch. N° de réf. du vendeur 9789052019475
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Mapping Cultural Identity in Contemporary Australian Performance
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is an important addition to the current body of scholarly material on contemporary performance and theatre as it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance. Through a detailed critical reading of four key Australian performance pieces, Tiger Country, Ningali, The 7 Stages of Grieving and The Geography of Haunted Places the author demonstrates the myriad ways in which cultural identity can be represented and interpreted in performance. Grehan takes as her point of departure questions of place, belonging and cultural identity as they are currently considered and uses these questions to formulate an analytical framework for contemporary performance. Drawing on theoretical ideas of Gilles Deleuze and Félix Guattari, Rosi Braidotti and Edward Casey, the author develops her own theory of mapping as an analytical tool which is adaptable and contingent, and can facilitate the opening up of the multiple layers of meaning within contemporary performance. In the process questions are raised about the relevance of terms such as belonging, place and representation within the often fraught post-colonial cultural landscape. N° de réf. du vendeur 9789052019475
Quantité disponible : 2 disponible(s)
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Mapping Cultural Identity in Contemporary Australian Performance
Vendeur : preigu, Osnabrück, Allemagne
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Taschenbuch. Etat : Neu. Mapping Cultural Identity in Contemporary Australian Performance | Helena Grehan | Taschenbuch | Englisch | Peter Lang | EAN 9789052019475 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 104163916
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Mapping Cultural Identity in Contemporary Australian Performance (Dramaturgies)
Edité par
P.I.E-Peter Lang S.A., ditions Scientifiques Inte, 2001
ISBN 10 : 9052019479
ISBN 13 : 9789052019475
Neuf
paperback
Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
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paperback. Etat : New. New. book. N° de réf. du vendeur ERICA82990520194796
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