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Synopsis
In Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin’s “theory of formal functions,” Hepokoski’s concept of “dialogic form,” and Webster’s method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.
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À propos de l?auteur
James Webster is the Goldwin Smith Professor of Music at Cornell University.
À propos de la quatrième de couverture
In Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin’s “theory of formal functions,” Hepokoski’s concept of “dialogic form,” and Webster’s method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Musical Form, Forms Formenlehre: Three Methodological Reflections
Edité par
Leuven University Press, 2009
ISBN 10 : 905867715X
ISBN 13 : 9789058677150
Ancien ou d'occasion
Couverture rigide
Edition originale
Vendeur : FITZ BOOKS AND WAFFLES, Buffalo, NY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : Very Good. 1st Edition. Slight outer wear, pen marking on first blank page. Otherwise an overall unmarked and undamaged copy. Category: Music. N° de réf. du vendeur ABE-1755102668837
Quantité disponible : 1 disponible(s)
Image d'archives
Musical Form, Forms, and Formenlehre: Three Methodological Reflections
Edité par
Leuven University Press, 2009
ISBN 10 : 905867715X
ISBN 13 : 9789058677150
Ancien ou d'occasion
Couverture rigide
Edition originale
Vendeur : stock, Gent, Belgique
Évaluation du vendeur 2 sur 5 étoiles
Hardcover. Etat : Good. Etat de la jaquette : Good. 1st Edition. Hardcover without dust jacket as issued, 23 x 15 cm, 185 pages. A good copy with some minor wear to the covers. No writing or underlining, perfect reference copy. N° de réf. du vendeur 000198
Quantité disponible : 1 disponible(s)