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Synopsis
In ‘Musical Form, Forms & Formenlehre: Three Methodological Reflections’, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin’s “theory of formal functions,” Hepokoski’s concept of “dialogic form,” and Webster’s method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.
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À propos de l?auteur
James Webster is the Goldwin Smith Professor of Music at Cornell University.
À propos de la quatrième de couverture
In ‘Musical Form, Forms & Formenlehre: Three Methodological Reflections’, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin’s “theory of formal functions,” Hepokoski’s concept of “dialogic form,” and Webster’s method of “multivalent analysis” respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Musical Form, Forms, and Formenlehre : Three Methodological Reflections
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Musical Form, Forms, and Formenlehre: Three Methodological Reflections
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Musical Form, Forms, and Formenlehre
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Leuven University Press, 2010
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ISBN 13 : 9789058678225
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Etat : New. KlappentextrnrnIn Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical th. N° de réf. du vendeur 909493167
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Musical Form, Forms & Formenlehre : Three Methodological Reflections
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ISBN 10 : 9058678229
ISBN 13 : 9789058678225
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Musical Form, Forms & Formenlehre : Three Methodological Reflections
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Leuven University Press, 2009
ISBN 10 : 9058678229
ISBN 13 : 9789058678225
Neuf
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Musical Form, Forms & Formenlehre : Three Methodological Reflections
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Leuven University Press, 2009
ISBN 10 : 9058678229
ISBN 13 : 9789058678225
Ancien ou d'occasion
Couverture souple
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Musical Form, Forms & Formenlehre : Three Methodological Reflections
Edité par
Leuven University Press, 2009
ISBN 10 : 9058678229
ISBN 13 : 9789058678225
Neuf
Couverture souple
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Musical Form, Forms, and Formenlehre : Three Methodological Reflections
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Leuven University Press Apr 2010, 2010
ISBN 10 : 9058678229
ISBN 13 : 9789058678225
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Taschenbuch. Etat : Neu. Neuware - In Musical Form, Forms & Formenlehre: Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts and concerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First Symphony, Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin¿s ¿theory of formal functions,¿ Hepokoski¿s concept of ¿dialogic form,¿ and Webster¿s method of ¿multivalent analysis¿ respectively. Each part begins with an essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to respond to the comments and to refine further his own fundamental ideas on musical form. N° de réf. du vendeur 9789058678225
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Paperback or Softback. Etat : New. Musical Form, Forms, and Formenlehre: Three Methodological Reflections 0.65. Book. N° de réf. du vendeur BBS-9789058678225
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