Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history. Its use is widespread and, especially in recent years, more and more artists rediscover the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms ‘speed', ‘rhythm', and ‘pace' are of more value than terms so often associated with photography such as ‘freeze', ‘split second', or ‘capture'. Within the book one can find more than thirty artists using the strip technique for their artistic practice. A lot of the artwork produced goes beyond traditional photography and the standards set by the photo industry. The research also reveals the extent to which artists use the technique to rediscover the time-based possibilities of the photographic image.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maarten Vanvolsem is lecturer and MA course leader for photography at Sint-Lukas Brussels, University College of Art and Design, and Research Fellow of the Lieven Gevaert Research Centre for Photography at Katholieke Universiteit Leuven.
Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history. Its use is widespread and, especially in recent years, more and more artists rediscover the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms ‘speed', ‘rhythm', and ‘pace' are of more value than terms so often associated with photography such as ‘freeze', ‘split second', or ‘capture'. Within the book one can find more than thirty artists using the strip technique for their artistic practice. A lot of the artwork produced goes beyond traditional photography and the standards set by the photo industry. The research also reveals the extent to which artists use the technique to rediscover the time-based possibilities of the photographic image.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history-from Muybridge to the photo booth. Its use is widespread and, especially in recent years, more and more artists have rediscovered the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms "speed," "rhythm," and "pace" are of more value than terms so often associated with photography such as "freeze," "split second," or "capture." Within the book one can find more than thirty artists using the strip technique for their artistic practice.Vanvolsem shows how the technique may be used to rediscover the time-based possibilities of the photographic image. Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789058678409
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