Heterogeneous Objects: Intermedia and Photography After Modernism - Couverture souple

Pirenne Raphael, St

Couverture souple

ISBN 10 : 9058679438 ISBN 13 : 9789058679437

Editeur : Leuven University Press, 2014

Synopsis

Heterogeneous Objects provides various essays that explore the encounterof photography with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photograph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches, relating photography to issues of the panorama, surveillance, sculpture, transformation and processuality, and the development of new media categories. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded heterogeneous object that is always related to, in contact with, or shaped by other media.

A propos du livre

À propos de l?auteur

Raphaël Pirenne is a postdoctoral researcher at the Université catholique de Louvain (UCL) and editor of the art journal SIC.

À propos de la quatrième de couverture

Exploring the influence of other media on contemporary photography. ‘Heterogeneous Objects’ provides various essays that explore the encounter of photography with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photograph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches, relating photography to issues of the panorama, surveillance, sculpture, transformation and processuality, and the development of new media categories. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded heterogeneous object that is always related to, in contact with, or shaped by other media. Contributors: Diarmuid Costello (University of Warwick), Steven Jacobs (University of Gent), Joanna Lowry (University of Brighton), Marcel Marburger (Universität der Künste, Berlin), Raphaël Pirenne (Université catholique de Louvain), Yvonne Spielmann (University of the West of Scotland), Alexander Streitberger (Université catholique de Louvain), Hilde Van Gelder (University of Leuven)

Détails de l'édition

• Éditeur: Leuven University Press
• Date d'édition: 2014
• Langue: anglais
• ISBN 10: 9058679438
• ISBN 13: 9789058679437
• Reliure: Broché
• Nombre de pages: 210
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible