Revealing a vibrant and intertwined artistic scene in the Balkans.'On the Very Edge' brings together fourteen empirical and comparativeessays about the production, perception, and reception of modernity andmodernism in the visual arts, architecture, and literature of interwar Serbia(1918-1941). The contributions highlight some idiosyncratic features ofmodernist processes in this complex period in Serbian arts and society,which emerged 'on the very edge' between territorial and cultural, newand old, modern and traditional identities.With an open methodological framework this book reveals a vibrant andintertwined artistic scene, which, albeit prematurely, announced interestsin pluralism and globalism. 'On the Very Edge' addresses issues of artisticidentities and cultural geographies and aims to enrich contextualized studiesof modernism and its variants in the Balkans and Europe, while simultaneouslyre-mapping and adjusting the prevailing historical canon.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jelena Bogdanovic is an Assistant Professor of Architectural History at Iowa State University.
Revealing a vibrant and intertwined artistic scene in the Balkans.'On the Very Edge' brings together fourteen empirical and comparativeessays about the production, perception, and reception of modernity andmodernism in the visual arts, architecture, and literature of interwar Serbia(1918-1941). The contributions highlight some idiosyncratic features ofmodernist processes in this complex period in Serbian arts and society,which emerged 'on the very edge' between territorial and cultural, newand old, modern and traditional identities.With an open methodological framework this book reveals a vibrant andintertwined artistic scene, which, albeit prematurely, announced interestsin pluralism and globalism. 'On the Very Edge' addresses issues of artisticidentities and cultural geographies and aims to enrich contextualized studiesof modernism and its variants in the Balkans and Europe, while simultaneouslyre-mapping and adjusting the prevailing historical canon.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged "on the very edge" between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously remapping and adjusting the prevailing historical canon. Contributors: Jelena Bogdanovic (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanovic (Washington University in St. Louis), Milos R.Perovic (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomic (Alfa University, Belgrade), Ljubomir Milanovic (Serbian Academy of Sciences and Arts), Bojana Popovic (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary's College of California), Aleksandar Kadijevic (University of Belgrade), Tadija Stefanovic (University of Belgrade), Dragana Corovic (University of Belgrade), Viktorija Kamilic (independent scholar), Marina Djurdjevic (Museum of Science and Technology, Belgrade), Nebojsa Stankovic (Princeton University), Dejan Zec (Institute for Recent History of Serbia) This volume brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789058679932
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