The last quarter of the 19th century saw Naturalism become one of the dominant movements in painting. This photographic style transcended national borders, and fanned out throughout all of Europe and the United States. The themes were drawn from daily 'modern' life: labourers, farmers, the affluent middle classes
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The last quarter of the 19th century saw Naturalism become one of the dominant movements in painting. This photographic style transcended national borders, and fanned out throughout all of Europe and the United States. The themes were drawn from daily 'modern' life: labourers, farmers, the affluent middle classes
The last quarter of the 19th century saw Naturalism become one of the dominant movements in painting. This photographic style transcended national borders, and fanned out throughout all of Europe and the United States. The themes were drawn from daily 'modern' life: labourers, farmers, the affluent middle classes; all layers of society served as subjects.
This exposition sheds light on the various aspects of Naturalism: its themes, painting practice and the response of critics and the public. More than fifty works, many of which are extremely large, will be on display in the exhibition wing of the Van Gogh Museum. Naturalism Naturalism in painting focused on subjects from the daily lives of ordinary people. Artists tried to approximate reality as closely as possible, and made frequent use of photography. These compositions, which were sometimes commissioned by the government, were exhibited at the Salon and World's Fairs. Most, due to their large size, were sent to museums or exhibited in public spaces such as town halls or schools.
The central themes within Naturalism include labour (in the country, in cities, and in industry), religion, and youth. The painters often used simple peasants as their subject material, or the hard life of workers in the cities. The style of painting was particularly detailed, and the works have the appearance of snapshots of real life. Yet the subjects of these paintings were carefully composed and were meant to tell a story, sometimes with a moralistic message. These themes were often the same ones as those already described by the writer Émile Zola in his Naturalist novels and plays.
The exhibition also shows several film fragments based on the literature of Zola. These fragments illustrate the close interrelation with the Naturalist paintings, which seem to come alive as a result.
With Illusions of reality: Naturalist painting, photography and cinema 1875-1918 the Van Gogh Museum presents the first retrospective exhibition on Naturalism.
After Amsterdam, the exhibition Illusions of reality will be presented at the Ateneum Art Museum, Finnish National Gallery of Art in Helsinki from 17 February to 15 May 2011.
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Vendeur : Strand Book Store, ABAA, New York, NY, Etats-Unis
Oversized Hardcover. Etat : Good. Capturing realistic images on canvas has been a staple of Western art since the development of perspective during the Renaissance. At the end of the 19th century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the newly industrialized world around them. At the heart of this naturalist art were the lives of ordinary people at a time of great social, economic and cultural transformation. ILLUSIONS OF REALITY traces the relationship between several art forms that uitlized the naturalist aesthetic, including painting, photography, film, theater, and literature. The book offers a fresh interpretation of how the naturalist artists attempted to understand and explain the rapid and profound changes of their own time in ways that would deeply inspire modern artists in all media. Illus., 226 color. 224p . N° de réf. du vendeur 2392972
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 39536028-75
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Vendeur : Sequitur Books, Boonsboro, MD, Etats-Unis
hardcover. Etat : As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Minor shelf wear. This is an oversized or heavy book, which WILL require additional postage for Priority Mail or International delivery outside the US. N° de réf. du vendeur 2607230119
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Vendeur : Alan Angele Popular Culture, IOBA, Upper Nyack, NY, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. Oblong small folio. Unclipped dust jacket protected by archival mylar. N° de réf. du vendeur 004040
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Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
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Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Etat : gut. 2011. Illusions of Reality: Naturalist Painting, Photography, Theatre and Cinema, 1875-1918: Naturalist Painting, Photography and Cinema, 1875-1918 In deutscher Sprache. pages. N° de réf. du vendeur BN348831
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 87004
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