Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation - Couverture souple

 
9789078088769: Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation
Couverture souple
ISBN 10 : 9078088761 ISBN 13 : 9789078088769
Editeur : Valiz, 2019

Synopsis

Auteur Nathalie Zonnenberg analyseert de problematiek rondom het tentoonstellen van ideekunst via drie case studies, en suggereert een alternatieve omgang met 'onbestaanbare' kunstwerken.

Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization.
The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de la quatrième de couverture

Auteur Nathalie Zonnenberg analyseert de problematiek rondom het tentoonstellen van ideekunst via drie case studies, en suggereert een alternatieve omgang met 'onbestaanbare' kunstwerken.

Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization.
The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Valiz
Date d'édition
2019
Langue
anglais
ISBN 10 
9078088761
ISBN 13 
9789078088769
Reliure
Broché
Nombre de pages
240
Éditeur
Zonnenberg Nathalie
Coordonnées du fabricant
non disponible
Personne responsable
non disponible